I’ve been having issues lately when trying to read Young Adult books. I don’t love teenage protagonist, in books or movies. I find the range teenage characters have for drama, when written for a young adult audience, to be limiting or, more often than not, dull. It’s very relationship based, which I don’t mind a sampling of, but, when it’s the main course, I’d rather skip it all together. And the teenage introspection! The narration! I can’t do it! Not anymore! Adults writing teenagers think they’re so darn clever and relevant because they mention last years movies or say “legit” or something like that, I can’t do it anymore and I won’t!
This has been a quick review for John Green’s Turtles All the Way Down.
Here’s the twist, though. Graphic novels fix this for me. There’s less inner monologues and more visual cues. Blankets or This One Summer nail the melancholy existentialism because they create mood in the art, not just through dated dialog. When we see how young a character is, they feel more real as a teenager because we’re not being told by a thirty-five year old how “legit” young they are. Also, I’m not sure if “legit” is something I’ve read people writing or just a new thing I’m doing now?
Also, I should stop judging, because the book I wrote has teenage protagonist and they’re mopey and monologuey and now I’m legit worried I can’t stop saying legit…
I Kill Giants is written by Joe Kelly, whose always been one of the better writers in the world of Marvel comics. It tells the story of a girl who doesn’t fit in at school, who’s going through some heavy stuff in her family life and who might also fight giants. The giants thing is up in the air, but there’s a good chance it’s real. Or maybe it’s all in her head. Or real.
This self-contained graphic novel is sneaky. You go in expecting a certain type of story, maybe similar to Anya’s Ghost or In Real Life and, while there’s fantastical elements, you get something more akin to This One Summer. I Kill Giants is lighter on it’s feet than Mariko Tamaki and Jillian Tamaki’s novel, all while dealing with loneliness and loss without bringing down the party. J. M. Ken Niimura’s art could be described as big, similar to Ed Mcguinness’ style of comic art, but the black and white illustrations stand without the need of bold colors. The lack of color even makes the beach seem more lonesome and magical. There’s a pacing in this book, with the writing and art, that matches superhero comics, but this is completely accessible to people who dislike capes and masks.
It’s hard to talk about I Kill Giants without giving away important moments. The ending is reliant on the book’s whole concept of truth vs. fiction, of dealing with problems or ignoring them. I could tell you about the book’s bullying or the friendship that forms, or the only guidance concealer that I’ve ever wished was real, but there’s too much that should be read without knowing the truth out the gate. I will say this book made me cry, and it might have been a while since a young adult title had that effect on me.
This seems to me like it’s been a badly written review. Take it as more of a recommendation wrapped in some rants. This book is great and should be considered essential reading for the young adult graphic medium. With a movie coming out this year, hopefully more will discover this book, because it shouldn’t be missed.
Or Journey to Star Wars: The Force Awakens: Lost Stars by Claudia Gray. But that title is too long, too stupid and come December 19th, 2015, too dated.
Lost Stars is, as far as I know, the first Young Adult Star Wars book in this new line. The new line being since Disney bought it, threw away the Expanded Universe and started fresh. So while there have been YA Star Wars books before, Lost Stars does feel like an event because of its timing and it’s quality.
I’m not incredibly knowledgeable when it comes to the Expanded Universe. A lot of my time in that part has come from video games and comics, not so much the books. What I’ve read has been decent but not mind blowing. I know people will stand by how great The Thrawn or the Jedi Acedemy, trilogies are but neither of those series have clicked for me. Kenobi by John Jackson Miller has been my favorite novel so far, being a one-shot and simple story, but also absorbing. Nothing I’ve read has topped Star Wars: Legacy by John Ostrander, but that’s a different blog (but go read it).
What I’m trying to get at is, though there are aspects of the EU that I like and have affection for, if a book like Lost Stars makes any changes, I’m not aware of them. So there won’t be many complaints about that here.
Lost Stars is about two kids from different worlds who become friends and stay friends their whole lives. Thane and Ciena help each other train and prepare for the imperial academy and become ace star pilots. Now, this books starts close after Star Wars: Episode III: Revenge of the Sith, so as far as our characters are concerned, the empire is alright, the jedi were no good and the rebellion is non-existent. As the characters grow up, the make it through school, get jobs aboard ships and start finding themselves in the middle of important events.
The book was doing a great job standing on it’s own for the first part, focusing on what the empire’s training would look like with little opposition. When we start getting to the movies, it loses some uniqueness but doesn’t drop off in quality. From here it becomes a greatest hits of Star Wars moments, with Thane and Ciena being involved with the Death Star, the Battle of Hoth, Cloud City, the Battle for Endor and the second Death Star.
But the twist is in the love story. Of course we know these characters are going to start feeling for each other, but when one of them leaves the empire and joins the rebellion, that’s when the friction hits. I don’t want to go into extreme details, but I will say that the reason for the one leaving and the other staying is pretty solid, at least for a Star Wars book.
The ending is where the book drops the ball. Set up for a sequel (or soon-to-be-released movie), it’s not nearly the satisfying conclusion the story deserves. There’s no real resolution between the two characters, there’s lots of hints about other stories waiting to be told, and for a book that focused so intently on two characters despite franchise-building, it feels like a cheat. A don’t want a happy ending, just an ending. Now, if the movies eventually deal with this, it might not be so bad, but the book won’t get to be complete stand-alone tale like Kenobi.
Would I recommend Lost Stars? Yes. To those who like YA fiction but not Star Wars and to those who like Star War but not YA fiction. Sure, it has the same fan-fictiony feel that a lot of the EU has, but it works. Plus, with Disney making the books official cannon, it’s a little easier to get invested with new characters and that’s something the previous EU didn’t have.
Claudia Gray, who also wrote A Thousand Pieces of You, has done a great job of transferring Star Wars into a YA book and while I haven’t read the rest of the new Star Wars books (I plan on it), from what I’ve heard this might be one of the best books to come out the new change. It got me pumped for the new movies and the characters of the book.
Check it out.