The first Spider-Man movie came out in a day and age that has long past, one that you might not be able to recall. Spider-Man was a big deal, a massive event in theaters that got me to buy my tickets in advance for the first time. All the showings of it’s opening night were sold out. It was the post-9/11 movie we needed at the time. It was also fun and exciting and the first time the character had ever been on the big screen. It’s hard to put into words the energy that film created.
Now, that movie almost feels archaic. It’s a single, self-contained character story that takes place during the most important time in the hero’s life. Yes, it has plot-threads for a sequel, but when you look at the mess that is Amazing Spider-Man or it’s sequel, the first Sam Raimi film almost looks shy about presenting a sequel. It was a different world, one where a film had to actually be released and do well at the box office for it to get a sequel.
But we’re in a brave new world now! And while we’ve had many Spider-Man films since that first, landmark entry, we’ve never had a fifteen year old Peter Parker in a world of superheroes. So, now we have a Spider-Man who gets to interact with Iron Man and potentially join the Avengers. If he looks bad doing super heroics, it’s because other, better heroes have set the standard. And while Spider-Man: Homecoming tackles this, it’s not the area where the movie shines. Don’t get me wrong, the scenes with Tom Holland and Robert Downey Jr. are fun and quippy. But it’s where the movie feels less exciting.
Peter was in high school for all of ten minutes in the first Tobey Maguire film and the Amazing Spider-Man failed to deliver on that front (as well as many others) even though it was greenlit for that very reason. So while it might seem like a repeat to put the kid in school, it’s not something we’ve actually seen in full effect before. And besides, it’s the story Spider-Man: Homecoming wants to tell anyway. The supporting cast in Peter’s life are memorable and funny and, if the series wanted to go that route, Marvel could set a whole film around just a week of Peter in school, no super heroics, and it would still be entertaining. I mean, I still turn out whenever a kid is bemoaning popularity status or attending parties, but that’s because I hate high school. But, I think that says something to the charm of the movie that I actually cared about Peter’s sophomore life, at least, most of the time.
It helps that Tom Holland is a great Peter Parker. He captures the youth, the enthusiasm, the awkwardness and the strength of the character. He does a great job being over his head and enjoying this new life at the same time. He likes being Spider-Man, which is an important part of the character that can be forgotten when responsibilities abound.
Jacob Batalon’s Ned is hilarious and a great teammate for Peter. Zendaya’s Michelle has a promising future, made brighter by how many laughs she gets in a layered performance. Marisa Tomei doesn’t get the most screen time, nor does her Aunt May really shine, but she’s a pleasant addition.
Really, the only character who the movie fails is Liz, Peter’s crush. I wish I could tell her more about her, but the movie didn’t so I’m at a loss. I think the shadow of Mary Jane looms over all the films that have come since and Marvel hasn’t entirely solved the issue just yet. Liz is nice, she’s smart, but she’s only there to be crushed upon. While the end of the movie does promise a solution to that, it doesn’t change the fact that we spent two hours with a character that doesn’t seem to matter to the writers.
Michael Keaton’s Vulture is… well, he’s fine. It’s hard to beat the scenery chewing of Willem Defoe’s Green Goblin or the visual splendor of Alfred Molina’s Doc Ock. Keaton’s fairly actuate to the comics, visually frightening at times and physically up to the task of being the villain of the movie. But he’s not very interesting as a character and I was never waiting for his next scene. To be fair, in the comics, the Vulture is the second super villain Spider-Man ever dealt with and since we don’t want to see him go against the Chameleon or try to replicate the previous movies’ villains, he does make a certain amount of sense to include. If we have to stick to villains that haven’t appeared in films, I’d prefer Mysterio or Kraven the Hunter.
The action is never incredible, nothing in this film comes close to the train battle from Spider-Man 2 or even the crane rescue from the Spider-Man 3. But, there’s a kinetic energy to the scenes here and they move well. The idea in Spider-Man: Homecoming is that Peter is still new to all of this and not very good at the job. He’s got heart, but little coordination. What might normally be a car chase becomes a run through the suburbs. What normally would be a battle over a crowded ferry becomes an attempt to just do as little damage as possible. So, no, the action isn’t spectacular, but it works because Peter isn’t spectacular at being Spider-Man just yet.
My only other major gripe might not bother many other people. And it might be a minor spoiler, but I doubt it. The movie replicates a fairly iconic moment from Spider-Man comic history, one that Stan Lee wrote himself. In the comic, Peter triumphs because he thinks of all the people counting on him and everyone he loves. He can’t fail them. He overcomes a great challenge because his responsibility is great. In Spider-Man: Homecoming, the scene is replicated from panel to screen, but the motivation is lost. Peter overcomes because he wants to be a superhero. He needs to prove it to himself. Normally, that would be fine as motivation, but for those of us who read Lee’s early comics, we know the scene has been done better. There’s a power to that moment that was lost in translation.
Other than that, Spider-Man: Homecoming is a fun time. It’s colorful, it’s zippy and it makes me excited to see this version of Peter Parker again. I know I’ve referenced the original trilogy multiple times in this review, but I do think this new entry is the first film to differentiate itself from what’s come before. It successfully stands on it’s own. It has personality, a vision and it makes for a pretty good Spider-Man movie.