I thought for sure I was done reviewing Michael Crichton books. I mean, the man passed away in 2008. But, I guess CrichtonSun is a thing now and it seems that The Andromeda Evolution is the beginning of a Crichton-verse. What does the future hold for this line? Will all of Crichton’s books start getting sequels? Is this the expanded universe of the techno-thriller. How long until, piece by piece, these books start to take place in the same universe? Will the gorillas from Congo be recruited by Jack Forman from Prey to stop Elizabeth Halpern from Sphere from using her powers to resurrect the Eaters of the Dead from Eaters of the Dead? Will they bring Westworld into it? How small is the market for Crichton-related references like that?
Written by Daniel H. Wilson, The Andromeda Evolution is is not a lost manuscript or unfinished work. This is an original sequel by the Robopocalypse author. Back when I first read that book, I couldn’t help but notice the similarities between Wilson and Crichton. But, with that book, Wilson was obviously influenced by Crichton’s style. Here, with The Andromeda Evolution, Wilson is trying to mimic Crichton and he can never get the trick to work. You can wear your dad’s hand-me-downs, but it doesn’t mean they fit.
The Andromeda Evolution takes place fifty years after the first Andromeda Strain. The first conceit that took me a second to get through is that this sequel treats the first book as a scientific report released to the public by author Michael Crichton. Luckily, the book doesn’t dwell on that and goes right into this new story. The Andromeda Strain seems to be back, this time in the jungles of South America and a team of four scientist is put together to figure out why, how and what needs to be done.
My biggest issue with this book is how excessively Wilson uses “Crichton-isms”. The first book, and most of Crichton’s writing, had these moments of foreshadowing or reminders that what we were reading was a debriefing, a post-report of the whole situation. And, to be fair, it’s been sometime since I picked up The Andromeda Strain. But, in this book, the amount of “this decision would prove to be fatal”, “inferred footage of the scene shows”, “little did he know, he had determined the fate of four billion people” and all that becomes too much. Perhaps, Crichton was better at following up on those little moments. Perhaps, time has faded those from my memory.
Crichton himself was never great at character work. Many of his protagonist were simply mouthpieces for his ideas and theories and, sometimes, dinosaur food. But, the characters in The Andromeda Evolution are, aside from one or two, incrediblely paper-thin. The backstories that Crichton would provide are lacking in detail with this book. Wilson, I know, can right characters I care about. I couldn’t put down Robopocalypse. But, in trying to ape the coldness of Crichton’s writing without the thoroughly thought-out histories, we’re left with action figures without much to say.
That’s sort of the problem throughout. Wilson is a skilled writer who can write science fiction and action and loves his robotics, but he doesn’t have the interesting ideas of Crichton. There’s no science or theories so detailed and compelling that they feel like they could be their own book, no musings about the danger of our technology that we haven’t seen before. Many of these thoughts feel like Twitter comments made paragraphs. And, when the mysteries of this new Andromeda Strain are revealed, you begin to wonder why Wilson chose this project in the first place. He obviously has bigger things he wants to write about other than humanity dealing with a deadly microorganism. While what Wilson presents at the end of this book is interesting and would be something I’d want to read on it’s own, it no longer feels down to Earth. Some of Crichton’s concepts were so frightening you’d have to simply not think about them in order to live your life. The Andromeda Strain was that type of semi-realistic techno-thriller that, while very much science fiction, had a real world element. The Andromeda Evolution goes full blown science fiction and, while it might have it’s audience, it’s far and away from “smallness” of the original novel.
It took me longer to finish The Andromeda Evolution than any Crichton book or Wilson’s own Robopocalypse. It lacked the page-turning quality of either writers. There’s a twist or two I enjoyed, but the destination was not worth the rather dull journey. A promising start about the failures of human apathy becomes a tour through some rather uninteresting jungles and more.
And, look, I’ll keep reading these things. If they put out Michael Crichton’s The Greater Train Robbery by C.J. Box, I’ll read it. If these are the thing I’m weirdly dedicated to reading, fine. I’ll join the tradition of reading a late author’s universe like Tom Clancy and Robert B. Parker. I suppose that’s what Marvel comics are anyway. But, outside of current Crichton fans, I’m not sure who the audience for this book is. I’ll read anything with Crichton’s name on it, but the random browser? Will that name mean anything to them anymore?
I just hope the quality rises. Daniel H. Wilson is not a bad writer but he took on a task that’s not always so easy. Being influenced is one thing, but imitation is a lot harder.
Second quick update as I try to get current with the episodes on the blog.
We talk about book clubs, the benefits and such. What books the library has on the schedule and what have been favorite reads in past clubs. Mine, personally, is Station Eleven. I was worried I wasn’t going to want to talk about that book, because I loved it and I didn’t want to hear any critiques. Luckily, the club was a great discussion and I think I like the book even more having done it. Join a book club!
See you next week, podcats!
Quick catch up post!
In which we really talk about the end of the year and books we read in 2017. Goodreads helps us see the longest books we tackled, the books we most enjoyed, disliked and if we’re ready to get reading in 2018!
See you next week, podcats!
Nic’s friend, Beau Hutchings, stops by after performing the Nutcracker at the David A. Howe Public Library!
We inevitably end up talking about Christmas movies, as we are wont to do this time of year. I don’t love many Christmas films, though I’ll watch them. Give me A Christmas Story for the twenty-four hours of Christmas Eve and I’m good. Or, Batman Returns.
See you next week, podcats!
The concept of Killers of the Flower Moon, by David Grann, was almost too depressing for me to start. Telling the history of the systematic murders of the Osage Indian Nation, a story that is promised to have little closure or justice, I had to force myself through the first twenty pages.
I’m glad I continued on, however, as the book became a compelling read, spanning multiple subjects while never losing focus on it’s depressing main topic. The Osage Indian Nation, through the government’s orders, are moved to a desolated land in Oklahoma. To everyone’s surprise, their new home is one of the richest deposits of oil and the Osage become wealthier than White America is comfortable with. In fact, the government tries to control the flow of money that each Osage receives, appointing them “guardians” who give them their allowances, fractions of their millions. It should be no surprise, that when the murders begin, little is done about them.
At first, it seems like every Osage murder is going unsolved and unpunished. Local authorities are either incompetent or apathetic to what’s happening around them. But, eventually, the news of what is happening starts to spread across the country. White men start getting murdered from trying to help. The Osage murders get more brutal and public, as well as obvious in their intent. Once the young FBI gets involved, it becomes obvious that someone is trying to steal the Osage wealth.
Killers of the Flower Moon is half the history of Osage and half the story of the FBI. Reading this after watching Netflix’s Mindhunter had me amazed by how we take for granted simple terms and methods in law enforcement. While Mindhunter showed us how new the understanding of criminal profiling was, this book goes even further back and shows us simple detective skills still being born. Mug shots, fingerprints and keeping the crime scene from becoming contaminated were either just starting to be used or unheard of altogether.
It doesn’t help that the FBI and many branches of law are filled with corrupt employees. Crimes are being covered up or ignored by bribes and threats. Judges are on the take and prisons are a mess. J. Edgar Hoover is out to make a name for himself by cleaning up the FBI and solving the cases of the Osage murders. He sets Tom White out to form a team and take care of business and from there we learn the twists and turns of this dark history.
It was fascinating to me how well Grann kept this moving and held my attention. The subject matter is morbid and new to many readers but it’s still non-fiction and could have come across as a text book. Yet, Grann writes it like a thriller and even had my jaw drop after a revelation midway through the book. We get looks into everyone’s past, from the Osage whose grim fates are only the newest forms of abuse to White’s childhood and sense of honor. Every topic gets explored and explained in a digestible manner.
After reading this, I definitely want to pick up Grann’s other book, The Lost City of Z. I tend not to read many history books, but Grann does a great job at holding interest and moving the story forward. With Killers of the Flower Moon, you know things won’t be solved in a satisfying manner and that people will go unpunished. That’s not to mention how hindsight kept me from feeling any sense of victory even when things start to turn around for the Osage. You don’t have to be well-versed in history to know this will only be another stepping stone in the injustice Native Americans will go through, even in the 1900s.
Killers of the Flower Moon isn’t for everyone, some might not have the stomach for the hopelessness of it all. But, it’s a story every American should be familiar with, despite how little has been told about the subject. With talks of a movie being made, hopefully more will have to reckon with this dark past. If you can handle the darkness, pick up the book beforehand.
It’s a spOoOoOoOoOky episode! Because it’s Halloween month! Did you know I like Halloween? I do. You should know this by now.
We talk about this year’s additions to the horror genre, both Young Adult and regular Adult! You want scary teen adventures? How about There’s Someone Inside Your House? You want ghosts and evil spirits? Boom, here’s House of Furies, You want twins in danger and James Patterson’s name on a cover. Good news, we talk Crazy House.
Nic talks about three books and they’re possibly too scary. That The Grip of It sounds horrifying. Anything without skin is scary. Anything. Picture a duck. Do you have a clear image of a duck? Now, picture that duck without skin. And, yeah, it still has feathers. That’s terrible.
Even that cover is scary. WHY DOES IT KEEP SAYING, “A NOVEL”?!?
It’s also the one I might pick up if I had to choose. Crazy House too, maybe. I don’t love murder, so I doubt I’ll be reading There’s Someone Inside Your House, no matter how “subversive” it is. Everything’s subversive these days. Not this blog, though. It’s very traditional. Paragraphs and all, you know?
See you next week, podcats!
This week, it’s all about new books! Well, so is every week. Books release weekly. That’s how books work.
I always feel bad because I never sound super excited for the books I bring to the table, but that’s because I present the young adult releases! I’ve mentioned before that the YA bracket doesn’t always click with me. It’s a very high concept field, which I like, but the execution never sticks the landing.
But Disappeared, by Francisco X. Stork, sounds pretty good. It looks like it would be a quick read too, and that helps when I’m reading young adult. I don’t understand why so many of these books are five hundred page tomes. Books like Adrift by Paul Griffin or Salt to the Sea by Ruta Sepetys are much more enjoyable because they move at a reasonable pace, know how to grip the reader and don’t overstay their welcome. Disappeared sounds like it gets it.
And Hunting Prince Dracula doesn’t sound terrible either! Kerri Maniscalco‘s first book, Stalking Jack the Ripper, was one of the more popular books at the library when it was released. But, that darn James Patterson had to put his name on the cover, keeping me from picking it up. I’d love to know if that actually helps with young adult book sales, but, then again, I’m talking about it!
Also, how cool did that Bond-not-Bond sound? I’m gonna have to check out Forever and a Death.
See you next week, podcats!