I had planned on playing The Witcher 3: Wild Hunt without going through the first two games. That proved to be too much for my completist heart, so I grabbed those games cheap on Steam. But, then, surprising myself, I found I couldn’t even start the games until I read the books. I don’t know why, this would have never happened when I was younger.
Here I am, then, reviewing The Last Wish by Andrzej Sapkowski. A collection of short stories that was originally published in 1993, the book tells of the many adventures of Geralt, a Witcher. Witchers are hired to deal with monsters, though the public doesn’t love them. They’re a necessary evil and that makes someone like Geralt an outsider.
Each story tells of a different experience Geralt has dealing with either monster or man. Some of the stories are dark twists on classic fairy tales, such as The Beauty and the Beast. While that might cause eye rolling normally, as the “fairy tale but…” genre is running on fumes, it actually comes across fresh in this collection, even while being twenty years old.
What makes this book so readable is that Geralt is a fascinating character. Yes, there’s that classic lone wolf element about him, but he has more depth than just being gruff. In the few stories that make up The Last Wish, we see the Witcher as pragmatic, selfish, angry, compassionate, melancholy and vicious. He’s not a closed off tough guy, even though he has a thick skin. His friendship with Dandelion is actually rather touching, as it doesn’t appear Geralt gets anything out of it other than companionship.
The style of short story works well for The Witcher, as he goes from job to job. In a collection, we get to see the different types of monsters Geralt deals with, as well as the different lands he travels across. I’m interested to see how the style changes when I get to the full novels. It also makes sense that the Witcher was turned into a video game, as it seems ripe for side-quests.
The translation of these stories does a great job. The writing comes across relatively modern and I’m not sure how much of that is the original text. I never found the book to be dense, though sometimes the action could go on for a little too long. Maybe that’s why some people like reading these books, but I tend to find sword and magic combat to be a dull read. I was much more interested in the stories surrounding the world or the lives of the monsters Geralt is sent to hunt. Even the politics are interesting, mainly because each region and member of royalty acts different and unique.
I think, even if you had no interest in reading a new series, or playing the video games, that The Last Wish is easily recommendable. The frame story is self-contained, the tales throughout are quick reads and entertaining. On my own end, I’ve already bought the second anthology and plan on reading the main series. After reading this book, I think you might follow suit.
Lovecraft Country, by Matt Ruff, is an interesting book, both in concept and execution. Taking place in America, 1954, we follow the Turner family as they deal with racism and the supernatural threats that plague them. Throughout the book, we start realizing that one of those is much easier to deal with than the other.
We start with Atticus Turner, a young, black man simply trying to drive up North. Along the way, he’s pulled over for driving while black and there’s always the looming sense of dread just from the embedded racism that he’s trying to avoid. Eventually, he heads to Massachusetts to find his missing father and things start getting more eerie.
Now, I thought about saying, “Things start getting more Lovecraftian” but that wouldn’t be acute. See, all the racism that Atticus deals with while driving is already Lovecraftian, as the influential author was quite a bigot. When a white police officer threatens to shoot a black man if he doesn’t get out of town by sundown, that’s Lovecraft, even if he never wrote such scenes. When monsters and ghosts start showing up, they seem rather mundane to all the racial tension and, sometimes, almost act as a relief.
It’s relieving to deal with the supernatural because it’s not real. I know, for the most part, that I don’t have to worry about ghosts and inter-dimensional beings. I know that. But, in the real world, racism and bigotry are very much alive. As a country, we used to worry about witches and now’s it’s part of our history, but the hate and ignorance that permeates Lovecraft Country is part of our present. Ruff uses the supernatural as a hook to get readers who might not want to confront these issues.
In the book, ghosts can be reasoned with, monsters are indifferent. These scary, immortal threats might not be rational, as Lovecraft often had characters go insane when confronted with them, but in way, they act rational. Some feed, some kill, some of them are just lonely. But, they’re beyond petty things like hatred for different races. Racism, when compared to the threats beyond our own world, becomes the irrational.
Now, I had trouble getting into this book for two reasons. First, the stress of reading about a black family in the 50s was enough to make for slow, uneasy reading. Second, the book is told in parts. I couldn’t find a pace while reading because the first chapter is actually the first short story. Eventually, when I started realizing how the book was laid out, I found my rhythm and was able to cruise through the novel. Considering that Lovecraft mostly wrote short stories himself, you’d think I would have figured that out sooner.
In the process, the book became less creepy and more of an interesting cross between Lovecraft and The Twilight Zone. I didn’t find the overarching plot that connected the chapters to be that compelling, though the resolution is fun and brings all the different elements together. The individual stories, however, are memorable. Each follows a different member of the Turner family and shows a different aspect of 50s America and the supernatural elements of Ruff’s world. There’s talk of Lovecraft Country becoming a movie, but it could make for a great HBO or Netflix anthology series.
I had started this for Halloween and it wasn’t a bad choice for the holiday, but it might let some people down if they’re looking for straight horror. Really, it’s more acute to call it urban fantasy, as nothing in it is much scarier than what you would find in a Jim Butcher book. But, for a great example of how fantasy and science fiction can be a mirror into our world, how it can be a commentary on prejudices and our own faults, Lovecraft Country is easily recommendable.
I did not like this book. I know I’m in the minority here. That’s fine. I hope, if you read it, you loved The Fifth Season. But, I did not love the book. I just wanted it to end.
I wanted to like this book, though! I was excited to read it. I finally finished the last book I had to read for work and book clubs and ect, and The Fifth Season was the first “just for me” book I’ve read in a while. Unfortunately, very early on, I knew I wasn’t enjoying it. But, since it’s a Hugo winner, I wanted to finish the whole thing and nothing is worse than not wanting to read the next eighty percent of a book.
I didn’t care about the three protagonists or about their connection to each other. I figured out how they were related very early on and I don’t mean that as a brag. I have to believe author N.K. Jemisin meant for the reader to know. I suppose, I most liked the child Damaya but her story ends before the others. Actually, I think the stories are told the way they are because doing so the normal way would have proven to be too dull and unfocused for even those that enjoyed this novel.
I didn’t like the world, either. I found it boring, despite how well it was thought out. Again, I’m in the minority here. Going to Goodreads, there’s nothing but five star reviews of this book, with people singing Jemisin’s praises. People did like the world here. They did like the characters. It makes me think I’m doing something wrong, actually. Like, maybe, I don’t know how to read words anymore?
A big issue, for me, was the lack of plot. I never felt like there was momentum to the story or any goal trying to be achieved. Too be fair, I don’t think Jemisin meant for this to be a plot heavy book. I think this book is character study and world tour. But, again, I didn’t care for either. Maybe, if there was a villain for me to invest in or plot to follow, I would have become more interested. It was not be.
While reading The Fifth Season, I kept thinking of Brandon Sanderson’s Mistborn series. Both Mistborn and The Fifth Season take pride in their world building, elemental magic and no nonsense characters. But, Mistborn had a plot and it’s characters were likable. There was a sense of purpose. The Fifth Season‘s purpose seems to be about being the most poetic fantasy book of it’s time. Unfortunately, I hate poetry.
I must sound like the worst type of reader in the world. But, I can’t lie. This book felt like a waste of my time and I don’t want to read the sequel. I was distressed to learn that I’m going to have to if I want to keep up with Hugo winners. There was a mercy back when Ancillary Justice‘s sequel didn’t win but now my hands are tied. I did like the second Mistborn book more than the first, so maybe there’s hope for me now. But, I won’t hold my breath. Jemisin’s style is too repetitive, too meandering for my taste. I just hope my next “just for me” book is a good time because between this and work, reading is starting to feel like a slog.
I received a copy of this book for free from Netgalley in exchange for an honest review.
So here we have Updraft by Fran Wilde, a fantasy book that goes full fantastic but loses me in the process. The story follows Kirit, who is rebellious and just wants to fly. See, this world is far in the sky and people travel with mechanical wings and live in spires made of bones. There’s trade routes, sky monsters, flight test and religious sects that are also the government.
This book is not my cup of tea.
I like fantasy books. I do. Maybe not as much as science fiction, but that’s not the genre’s fault. It took me a long time to realize there were fantasy books out there that I would like and I really owe that to Patrick Rothfuss, Neil Gaiman and Brandon Sanderson. But their books all feel relatable, they all feel like a humanity I know, even if it is in a world I don’t recognize. Sanderson rights about whole worlds he creates, but the people and their desires are very Earth-bound.
But Updraft doesn’t do that, or at least not for me. This book has a world, civilizations and people I can’t relate to, no matter how much I tried. The world is bizarre and there are terms and phrases the characters use that make sense to them, but the reader is thrown into all of this without a helping hand. By the end of the book, I still didn’t have a full understanding of what was going on.
Alien. That’s what the book felt like. The characters felt alien and even though they’re humanoid, they don’t feel like it. And you know what? That’s okay and there are readers out there who will find this whole book fascinating but it didn’t click with me. If the universe you’re creating is so different from mine, I need a point of entry or a viewpoint I can understand.
If you like your fantasy as far out as it can get, I’m sure you’ll love Updraft because it’s not a badly written book and there are plenty of things to like. For others, this is a risky read.