I had to get my library to order a copy of Season of Storms, by to-read list., since no one else in our system had it. Which is why it took me so long to read it. Also, I’m bad a going through my
Season of Storms is a prequel story set before the actual novels of the Witcher books. Now, as I said in my review for Blood of Elves, I didn’t necessarily love the format change from short stories to full on fantasy novels. The Last Wish and The Sword of Destiny were more up my alley. In those books, Geralt actually does his Witcher-ing (Witchery?) and each story is able to work around a monster-of-the-week format. When Sapkowski started writing bigger stories, the Witcher became more politically-minded and a bit more generic fantasy. They were always great reads and I enjoyed my time in all of them, but I missed the blue collar working nature of the first short story collections.
Here comes Season of Storms to show there’s a wonderful middle ground. The main point of the book is that Geralt has lost his swords and is trying to hunt them down. All while starting another doomed relationship with another (also, doomed) sorceress, Coral. But, the standalone, prequel nature of this book does it great favors.
Because it’s stand alone, the story is more focused and contained then the sprawling novels started with Blood of Elves. There’s no cliffhanger or unsatisfying end that leads into the next book (that won’t actually ever reach any semblance of end until the last book). Instead, we get another glimpse into Geralt’s life, the day and the life of another kingdom and some sweet monster hunting.
Throughout the book, as Geralt continues to look for his swords, there are constant side quests (sorry for the video game lingo that makes a lot of sense, now that I say it). Geralt deals with monsters of all different varieties throughout, from lab-created weapons, to fox demons (also seen in the graphic novel collection), to coliseum fights. You don’t like the guy who pushes Geralt into the arena, but after so many books of political infighting and backstabbing, you sort of feel grateful to guy for getting some action back into the books.
I don’t know ifplans on writing anymore books, either more prequels like this or the unlikely new sequel series. If he does, I hope they’re more in line with this style. Contained stories with a good amount of Witcher work throughout. It seems like such an obvious idea, which is probably why I’m not a famous writer. I’d take the easy way out. But, Season of Storms is my favorite Witcher book since the first. And, that last coda of the book, is actually a rather touching moment for Geralt and his story.
And, hey, now that I’ve finally finished the last of the Witcher books, I can finally allow the completest in me to play the games! Over on Twitch!
Shameless self-promotion ended.
I skipped reviewing Sword of Destiny for a few reasons. First, it’s similar to The Last Wish and everything I said about that book still stands for the sequel. It’s still a collection of short stories that are a bit more structured than the first book, in that each short story revolves around Yennifer in some way or another. The second reason I didn’t give that book a full review is because I went straight into the Blood of Elves. It was late and I finished Sword of Destiny and, without sleeping or taking a break, I opened the first chapter of the next book.
Besides the fact that the previous books were great reads, I was also curious as to how Andrzej Sapkowski would do writing The Witcher books in novel form. The character of Geralt works well in short form, with his different adventures and meeting new people around Sapkowski’s well-thought out world.
What I found is that Sapkowski didn’t change format entirely. Blood of Elves is a novel, yes, but the chapters are written akin to his short stories, with time gaps between them and not much thematically shared. Doing so allows for longer, more intimate looks into the world and Geralt, but it doesn’t create a strong continuing narrative or sense of plot. In fact, having read it all, I’m still not entirely sure where it was all going other than some people are after Geralt’s adopted daughter, Ciri.
In some ways, tries to be both a collection and a novel and both formats suffer for it. Without the connective tissue between chapters, it comes across as if the reader has missed key information between them. Without the varying adventures, the single plot thread shows it’s weakness. While I was hooked at the opening chapter with Dandelion and the training of Ciri, the book lost me quickly after that.
The previous books were interesting because of their world building, yes, but it was also how Sapkowski took classic fairy tales and myths and played around with them. The world is interesting and well-realized, but switching gears to focus on the political side of things doesn’t make for the most entertaining read.
The time we spend with Ciri and her training is great, but that’s because it’s focused and dabbles in that monster hunter lore. I wanted to see more of Geralt and Ciri together, training and going on adventures. That’s not what I got and I wasn’t convinced that what I was reading was necessarily better than that, either. I’m glad I read the previous books, because Blood of Elves relies heavily on the character connections that were introduced and explored beforehand. Alone, I don’t know if I would have liked the book much at all.
I will be reading the rest of these books, but the steam I had has been lost for the moment.
I had planned on playing The Witcher 3: Wild Hunt without going through the first two games. That proved to be too much for my completist heart, so I grabbed those games cheap on Steam. But, then, surprising myself, I found I couldn’t even start the games until I read the books. I don’t know why, this would have never happened when I was younger.
Here I am, then, reviewing The Last Wish by Andrzej Sapkowski. A collection of short stories that was originally published in 1993, the book tells of the many adventures of Geralt, a Witcher. Witchers are hired to deal with monsters, though the public doesn’t love them. They’re a necessary evil and that makes someone like Geralt an outsider.
Each story tells of a different experience Geralt has dealing with either monster or man. Some of the stories are dark twists on classic fairy tales, such as The Beauty and the Beast. While that might cause eye rolling normally, as the “fairy tale but…” genre is running on fumes, it actually comes across fresh in this collection, even while being twenty years old.
What makes this book so readable is that Geralt is a fascinating character. Yes, there’s that classic lone wolf element about him, but he has more depth than just being gruff. In the few stories that make up The Last Wish, we see the Witcher as pragmatic, selfish, angry, compassionate, melancholy and vicious. He’s not a closed off tough guy, even though he has a thick skin. His friendship with Dandelion is actually rather touching, as it doesn’t appear Geralt gets anything out of it other than companionship.
The style of short story works well for The Witcher, as he goes from job to job. In a collection, we get to see the different types of monsters Geralt deals with, as well as the different lands he travels across. I’m interested to see how the style changes when I get to the full novels. It also makes sense that the Witcher was turned into a video game, as it seems ripe for side-quests.
The translation of these stories does a great job. The writing comes across relatively modern and I’m not sure how much of that is the original text. I never found the book to be dense, though sometimes the action could go on for a little too long. Maybe that’s why some people like reading these books, but I tend to find sword and magic combat to be a dull read. I was much more interested in the stories surrounding the world or the lives of the monsters Geralt is sent to hunt. Even the politics are interesting, mainly because each region and member of royalty acts different and unique.
I think, even if you had no interest in reading a new series, or playing the video games, that The Last Wish is easily recommendable. The frame story is self-contained, the tales throughout are quick reads and entertaining. On my own end, I’ve already bought the second anthology and plan on reading the main series. After reading this book, I think you might follow suit.
I did not like this book. I know I’m in the minority here. That’s fine. I hope, if you read it, you loved The Fifth Season. But, I did not love the book. I just wanted it to end.
I wanted to like this book, though! I was excited to read it. I finally finished the last book I had to read for work and book clubs and ect, and The Fifth Season was the first “just for me” book I’ve read in a while. Unfortunately, very early on, I knew I wasn’t enjoying it. But, since it’s a Hugo winner, I wanted to finish the whole thing and nothing is worse than not wanting to read the next eighty percent of a book.
I didn’t care about the three protagonists or about their connection to each other. I figured out how they were related very early on and I don’t mean that as a brag. I have to believe author N.K. Jemisin meant for the reader to know. I suppose, I most liked the child Damaya but her story ends before the others. Actually, I think the stories are told the way they are because doing so the normal way would have proven to be too dull and unfocused for even those that enjoyed this novel.
I didn’t like the world, either. I found it boring, despite how well it was thought out. Again, I’m in the minority here. Going to Goodreads, there’s nothing but five star reviews of this book, with people singing Jemisin’s praises. People did like the world here. They did like the characters. It makes me think I’m doing something wrong, actually. Like, maybe, I don’t know how to read words anymore?
A big issue, for me, was the lack of plot. I never felt like there was momentum to the story or any goal trying to be achieved. Too be fair, I don’t think Jemisin meant for this to be a plot heavy book. I think this book is character study and world tour. But, again, I didn’t care for either. Maybe, if there was a villain for me to invest in or plot to follow, I would have become more interested. It was not be.
While reading The Fifth Season, I kept thinking of Brandon Sanderson’s Mistborn series. Both Mistborn and The Fifth Season take pride in their world building, elemental magic and no nonsense characters. But, Mistborn had a plot and it’s characters were likable. There was a sense of purpose. The Fifth Season‘s purpose seems to be about being the most poetic fantasy book of it’s time. Unfortunately, I hate poetry.
I must sound like the worst type of reader in the world. But, I can’t lie. This book felt like a waste of my time and I don’t want to read the sequel. I was distressed to learn that I’m going to have to if I want to keep up with Hugo winners. There was a mercy back when Ancillary Justice‘s sequel didn’t win but now my hands are tied. I did like the second Mistborn book more than the first, so maybe there’s hope for me now. But, I won’t hold my breath. Jemisin’s style is too repetitive, too meandering for my taste. I just hope my next “just for me” book is a good time because between this and work, reading is starting to feel like a slog.