It’s fine. The movie is fine. It’s not great or as grand as a Justice League movie should be. It feels small, but not in an intimate way. It’s scale and tone reminded me of Fantastic Four: Rise of the Silver Surfer. For a movie that cost as much as it did, I sure doesn’t look great. There’s a lot to dislike about the movie, but, for the first time in this non-solo Wonder Woman series, there’s some stuff to generally like.
After the face-slap that was Man of Steel and the so-dumb-I-feel-bad-for-it Batman v. Superman: Dawn of Justice, I pretty much retired any hope of ever enjoying these films. Some people like the darker tones, the hopeless characterization, the over-complicated plotting and maybe that’s a good thing. We don’t want every superhero movie to look and feel the same. I simply had to resign that, like Deadpool, these movies weren’t being made for me.
After Wonder Woman gave Warner Bros. their first great DC movie since The Dark Knight, I felt a bit better but could tell from the lead up and trailers that Justice League was going to be messy. Zach Snyder leaving for personal reasons and bringing in Joss Whedon to rewrite and reshoot seemed like a good way to mess up the joint. And messy it was! But, somehow, the worst feeling I had while watching it was boredom. The anger I used to feel has burnt out and maybe that’s due to the small amount of sunlight that’s allowed through all the sepia tone and CGI-smoke.
First, I suppose, the good. Ray Fisher came out of nowhere and impressed me as Cyborg. In fact, while watching his story, I kept wishing I was seeing the Cyborg movie already, because it would have to be more compelling than what I watching at the moment. I didn’t hate this version of Aquaman, despite being the bro-est bro of bro-dom. I look forward to being surprised by him in his own, solo movie. And Gal Gadot is still a Wonder Woman I would follow into battle. Oh! That reminds me! The fight in Themyscira was fun! And, when there was action on screen, it was entertaining, for the most part.
Now, for the rest. During any scene that there was no fighting, I was bored. And, hey, I’m not some action junky who needs people to shut up and punch! The conversations between these characters, Justice League members or not, felt like time killers or placeholders for the real script. There was always the element of humor laced in the lines, but nothing was able to be truly funny, except for Batman’s, “I don’t not” line.
Ben Affleck’s Batman was less interesting this time around, lacking the fire of his previous performance. The Flash doesn’t really impress and I’m sure that’s due to the fact I’ve been watching a successful representation of the character weekly on the CW for three years now. And Superman, well, that character has been a wash since day one. They try to clean him up a bit, make him a beacon of hope and all, but it’s not enough. He’s still not a Superman I want to watch, even when using all his cool powers. These movies love showing off how strong he is, but the heart is never there.
I’ll say this, and I don’t want anyone thinking I like Batman v. Superman: Dawn of Justice or think it’s even close to a good movie, but Justice League feels small in comparison. BvS felt like an event, albeit a dumb one. It’s tone, cinematography and over-dramatic dialog made it feel like an important, stupid moment in history. Justice League just sort of happens. A big, gray monster-man shows up and is going to make more CGI fire and smoke and some people get together. This doesn’t feel mythic or memorable. If anything, it feels like a preview for a real Justice League movie, with a full roster and characters who aren’t learning their powers or motivations.
So, to summarize, Justice League is fine. It’s watchable and has some moments that make it worth the time. It’s not epic and it’s not a trendsetter, which is a shame. The Justice League deserve better, they deserve to have the best superhero movie, to put the Avengers to shame. This is a team with the biggest names in super-lore and I had hoped for a feeling of awe and insperation. But, that feeling never comes. Sometimes, during the movie, Batman and Superman’s classic musical scores of the past will play and I was reminded of the good feelings and pleasant memories I had for these characters. Unfortunately, I realized, nothing on screen was causing that to happen this time around.. If anything, those themes emphasize the lack of direction and identity this movie has, requiring past visions to guide the way.
I hope a Justice League sequel will be better and I hope the characters can rebuild from here. Whereas the continuity in the Marvel films feels like a boon, these DC movies suffer from it. Every time a movie comes out, I can’t shake the past these heroes are burdened with. You can lighten Superman up, but he still snapped a man’s neck. You can make Batman a team player, but he still loves his guns and shooting people. But, with Justice League, they’re now another step in a more enjoyable direction. I hope they can keep that momentum and get past this version I’ve had not interest in before. I hope I can enjoy future DC films. But, for the first time in a long time with these movies, at least I can hope.
I was a bit too young to watch the Batman animated series as a kid, specifically on a regular basis. During it’s early years, anyway, I missed a lot of the show while it was airing. It wasn’t until its later Fox Kids years that I started catching the show after school.
I remember seeing those episodes as a kid and them seeming so epic. There wasn’t a lot like it, until Gargoyles, that felt like an adult show I was getting away with watching. Those later episodes introduced me to Ra’s al Ghul and the forbidden romance between Batman and Talia, Killer Croc’s inability to reform and the Riddler’s obsessions. I still wasn’t able to watch the show on regular basis, but I knew it was out there and was telling stories that were cooler than any of the other shows I had been following. Images like Ra’s hand reaching out of the Lazarus Pit, Babydoll shooting a shattered mirror or that kiss between Batman and Talia have stuck with me for years.
When Batman: Mask of the Phantasm was released on VHS, my mom rented a copy for me. I don’t know how it all worked out but I ended up watching it alone one night when everyone was asleep. At the time, I couldn’t have been much older than seven and I knew instantly that I was getting away with something.
As people were dying, kissing and dealing with these huge issues on screen, I kept checking to make sure no one was coming. If my mom saw a mobster getting crushed underneath a tombstone, that tape was going back to the video store pronto. When the Joker was on screen, it was terrifying but thrilling. The clown was killing people! Everything about that movie felt dangerous and it was an eyeopener for my young self. It might be one of the best movie experiences I’ve ever had.
Years later, when the show moved to the WB and became an after school block with the Superman animated series, it became something I watched religiously. That block became a refuge for me. I looked forward to getting to it on time after another terrible school day and it lasted until my parents came home and life became slightly less ideal.
That rebooted version of the show, with it’s updated animation style, was the coolest show in the world for me. It introduced me to Nightwing, a Robin that I was actually jealous of and a Batgirl I would follow to the ends of the earth. Episodes like “Over the Edge”, “Mad Love”, “Growing Pains” and “Joker’s Millions” left huge impressions on me and influenced my view on all the characters. When I started reading Batman comics, starting with No Man’s Land, I was confused by any differences between the elements of the show and what was on paper. But, without the animated series, I would have never picked up the comic.
Batman Beyond and the Justice League series really deserve their own blog, as well as the Superman show. They all became important to me at different times in my life and kept the continuity started by the Batman animated series alive, as well as the character of Batman himself.
I was finally able to watch all the episodes I had missed when the series was released onto DVD. Those collections were wonderful and I’ve watched through them multiple times, always excited to restart the series. It’s the easiest show in the world to binge because it’s quality is so high and the characters are so compelling. It’s also one of the few shows I watched as a kid that stands up to watching as an adult. This anniversary has given me the bug again but it’s not something I’ll fight. The show is a treasure to Batman fans. It introduced me to so much of that world and influenced my tastes in huge ways. No other Batman series has topped it in quality, even though Batman: Brave and the Bold found it’s own identity and works on it’s on level. Only Batman Begins has ever come close to being such a faithful adaptation. Twenty-five years later and the original 90s show still has all the vitality of a much younger series. It’s timeless, it’s iconic, it’s Batman.
I haven’t written about a DC Animated Movie in a while. I liked Batman: Assault on Arkham, Justice League Dark and the second half of Batman: The Killing Joke. But everything else has left little impression on me. I miss the days of adaptations that brought different styles to each film, like All Star Superman or Wonder Woman. The new continuity driven films are stuck with boring stories and uninspired voice casting.
Considering my disdain for the Suicide Squad’s take on Harley Quinn, I wasn’t surprised by my lack of interest in this new entry. But, when I looked up pictures of Batman and Harley Quinn, I found myself getting excited. It looks like the WB years of The Batman Animated Series! They got Kevin Conroy back as Batman and they brought Loren Lester out of mothballs to play Nightwing! Wow! And Bruce Timm is involved? I’m back in, baby!
The biggest mistake I made with that excitement was actually seeing the movie. I should have watched my dvds of the animated series or read a new Batman comic. Instead, I drove ninety minutes to the nearest theater showing the movie and saw what poison (ivy) can do to nostalgia.
Batman and Harley Quinn doesn’t know what kind of movie it wants to be. Sometimes, it’s trying to be call back to the great, genre-defining show of the 90s. Sometimes, it’s wants to be the Adam West Batman show with the old cartoon’s setting. Sometimes, it wants to be a comedy. Sometimes, it wants to be a lost episode of Justice League Unlimited. Most times, it’s just bad.
As a comedy, it falls so flat you’d have to think it’s intentionally not being funny. Barely any jokes land and the ones that do are stretched out too far. Melissa Rauch plays Harley Quinn almost as a parody of the Arleen Sorkin. It’s a DOA portrayal, living in the same space of the original character but not breathing the same air. I’d be willing to accept it’s not Rauch’s fault though, as the writing is lazy throughout the whole movie.
Really, Batman and Harley Quinn is a shadow the 90s show, taking the goodwill from the past twenty years and punishing us for it. It makes me wonder if Bruce Timm isn’t as talented as I thought he was. Maybe, he needed all those other writers and artist to keep him from raveling in his inherent tackiness.
We spend far too long in a dive bar with a bunch of extras, watching two twins sing “Don’t Pour Your Love” on stage, only for Harley to then do the same thing with “Hanging On the Telephone“. And, both songs are played in their entirety, because this movie is looking to waste as much time as possible.
The animation looks cheap throughout and closeups are worse. It really does look like a lazy episode of a cartoon from twenty years ago, if that was it’s intention, I don’t know what was. The ending is a dud, but, by then, what was I expecting? The whole affair can’t decided if it’s for adults or kids and is never fun for either. Considering that the 90s show did the whole thing better with “Harlequinade”, it’s hard to understand why anyone thought this movie needed to happen. There were no extra scripts lying around?
Look, if this is canon, I won’t accept it. I’m going to be unreasonable about this for the rest of my life. I’ve long ago said goodbye to the DC Animated Universe of old and I don’t need more of it in my life. Batman and Harley Quinn made sure of that by being the Superman: Braniac Attacks of it’s series. I won’t mourn again.
Oh boy. 2017, am I right? It’s going to be busy for people like me, who go to the theater for every single superhero movie. We have seven of them coming out this year, if you count The Lego Batman Movie. And you should count it. Don’t be so cold.
The Lego Batman Movie (February 10)
Just like my rundown for 2016, I’m putting this list out too late to give my predictions for the first super hero movie of the year. Because The Lego Batman movie is already out, and I’ve already seen it! But if I had to guess, I’d say I’ll like it.
I say that because I did like it. As someone who didn’t love The Dark Knight Rises and just feels sorry for Batman V. Superman: Dawn of Justice, it was nice to feel excited for a Batman movie again It actually packed a few emotional punches I wasn’t ready to handle. While the film was never as funny as its first 15-20 minutes, it was enjoyable, beautifully and uniquely animated and still true to Batman as a character.
Excitement Level = Everything is Awesome
Logan (March 3)
While my love for the X-Men movies has always been strong, the Wolverine solo films are at 50% approval rating. X-Men Origins: Wolverine is one of the worst super hero films ever and killed a slew of planned X-Men solo films. The Wolverine, on the other hand, is one of my favorites, both as an X-Men and super hero film. It was thoughtful, true to the character and unique. And now the same creative team is putting out what might be the last show for Hugh Jackman’s iconic take of the world’s favorite mutant.
I’ll save the emotions I have about seeing the man who played one of my favorite heroes for the past 17 years for after I see the film. I’m both excited to see another unique and focused take on the character, but the R rating doesn’t thrill me like it does for some. I get it and it makes sense when a man’s powers are razor sharp claws that can cut through bone like paper. I just don’t need gore and f-bombs for the sake of being grown up. But then, I’m lame.
That hesitation aside, I’m excited for this. I like the western-vibe the trailers are providing, I like the inclusion of X-23 and I’m always happy to see Wolverine cut loose. If this is as good as the Wolverine, I think we’ll be very happy.
Excitement Level = X-Static
Guardians of the Galaxy, Vol. 2 (May 5)
One of the best Marvel films is getting a sequel. The first movie did a better job with the characters than some of their comic outings and it was hilarious to boot. I’m having a hard time coming up with things to say about the first movie, just because it was as good as it was and most people saw it. I should watch it again.
The second outing looks like more of the same, but in this case, that should be a good thing. With the introduction of these characters out of the way, we can get straight to the fun and team interaction. I’m pumped to see Kurt Russell in this film and to see how they pull of Ego the Living Planet. What’s great about 2017 is that, even with this movie coming out, it’s not the Marvel movie I’m most excited for, but we’ll get to that.
Excitement Level = High
Wonder Woman (June 2)
It’s 2017. They’ve been making big budget super hero movies since 1978. If we’re talking about the time since the first X-Men movie, than comic book movies have been in the golden age for 17 years. So it’s either been almost two or four decades before they made a Wonder Woman film. That’s insane, considering Warner Bros. and DC comics have made a Steel, Jonah Hex, Constantine, Catwoman and Suicide Squad movie before one of the biggest characters on the planet. They should be embarrassed.
Unfortunately, Wonder Woman is coming at a time where I’m not at all excited for DC movies. They just don’t seem to making super hero movies I want to see. And it has nothing to do with being dark and/or gritty. I like plenty of dark and/or gritty films, super heroes are no exception. If I’m enjoying Daredevil and Jessica Jones on Netflix, I can handle a grown up take on characters I like. But stupid, that’s another thing entirely. And Batman V. Superman: Dawn of Justice and Suicide Squad were stupid.
I want Wonder Woman to buck that trend. I want it to be great. And from the trailers I’ve seen, it looks like it could be something unique and exciting. While setting it in World War I might play a bit too close to Captain America: The First Avenger, I doubt it will be a problem. Here’s hoping that this is the first DC film since Man of Steel that values character over imagery, while still giving us the super heroics.
Excitement Level = Hopeful
Spider-Man: Homecoming (July 5)
Boy, just writing the title has made me tired.
It’s not that I don’t like Spider-Man! I love the guy! He’s one of my favorites. The first Spider-Man movie (2002) felt like a defining moment in my life and the sequel (2004) is one of my favorite movies ever, definitely in my top five super hero films of all time. It’s just that after fifteen years, five movies in which the last three weren’t the best and the speed of the reboot has left me underwhelmed.
Tom Holland was fantastic in Captain America: Civil War and he won me over quickly. I guess what keeps me from getting excited about this new movie is that we know what to expect from a Spider-Man film, a Marvel film, a coming of age film, ect. While we’re close to the film I’m most excited for, this one is at the bottom of my priorities. I’m sure it will be great. It will be charming, action-packed and a fun time. But that assurance also comes with a lack of anticipation. I hope to change my tune soon.
Excitement Level = Less than Amazing
Thor: Ragnarok (November 3)
Now we’re talking. Now we’re firing on all cylinders. Now we’re discussing a film with a director I’m excited to see work his weird craft. Taika Waititi is such a strange choice to helm the movie but I’m glad to see him aboard. This is a case of me liking both character and director for different reasons and wanting to see what the two will produce.
The Thor films are in this weird, separate world from the other Marvel films and I’ve liked both offerings. The second is underwhelming until Loki is on the scene, but the first is almost a near perfect origin film, almost on par with Iron Man.
Now the third is going to be bringing the Hulk into the fray, along with Doctor Strange, making an almost complete Defenders team-up (not the Netflix version of the Defenders, the comic version, with Thor standing in for Silver Surfer and Namor, the Sub-Mariner). I have high expectations for this one and I hope those are met.
Excitement Level = The Highest
Justice League (November 17)
Zach Snyder made a divisive Superman movie, one that I hate. But that’s okay, he gets a second chance with the first Batman/Superman team-up film. And then it was stupid. Embarrassingly so. Well, that’s okay. He may have film a crappy version of two heroes, but now he’s done and will move on…oh, wait. He’s going to direct the Justice League now.
Great. Just great. That’s fantastic. When thinking of the Justice League, I always see them as dark, violent, image focused and stupid idiots who get tricked by dumb villain plans. This should work out just fine.
Or maybe my sarcasm will be for naught. Maybe we’ll get an iconic, inspiring and larger than life story with some of the greatest heroes ever created. Maybe it won’t be warehouse scenes and mother issues and fish hobos and super villains no one has heard about. Maybe they’ll be surprised and fantastic character moments. Maybe Maybe Maybe…
Excitement Level = Not Again, Lord. Please. Not again.
2016 is going to have seven super hero movies! There was a time when four was a lot, but 2003 is far in our past now. So, now it’s time to look ahead at these movies and see what I’m excited for and what I’m less than thrilled about.
Deadpool ( February 12)
Now, I’ve already seen this, as have most people who wanted to, so I’ll be short. I was hesitant about this film. I went back and forth about whether I wanted to see it, if I should just wait for the DVD, ect. I wasn’t convinced that this movie had to be R-rated and crude. Having grown up reading the Joe Kelly run of the character, plus the rest that followed in his original series, I had a set idea of what Deadpool was like.
And to be honest, those reservations are still there. The movie was funny, it had it’s moments of genuine comic book glee, but something still felt off for me. Hearing Deadpool drop the F-bomb was hard to get around, because I’m used to it all being bleeped out or struck through with a black bar in the comics. I don’t see the precedence for the character being such a hard R, but Fox is rolling in cash now, so what do I know? Again, I liked the movie just fine, but it wasn’t really my cup of tea. I’ll watch the sequel(s?) but I want be waiting with baited breathe for them.
Excitement Level = Hesitant
Batman V. Superman: Dawn of Justice (March 25)
I won’t talk anymore about Man of Steel, at least not now. But it can’t be denied that this film is battling the bad taste that movie left in my mouth. I’ve slightly mellowed to that first film, as long as I tune in after all the Pa Kent stuff. The trailers and interviews for and about this new movie have not left me hopeful for Superman. I just don’t think anybody involved really understands what makes Superman different. It’s too bad.
So I’m split in two over BvS. One part of me is very scared for Superman and how this movie will further hurt the character. The other part of me, however, is excited for Batman. If Zack Snyder was just making a Batman solo film that looked like this, I’d be thrilled. Give us something like Hush, Under the Red Hood or just a straight up adaptation of the Dark Knight Returns and I think Snyder could knock it out of the park. It’s just too bad he’s been given the keys to Superman and the rest of the Justice League.
Excitement Level = Nervous
Captain America: Civil War (May 6)
I didn’t need that second trailer to get excited but it helps. I think this movie shows a key difference between Marvel and DC. With BvS, I doubt a lot of the general audience is going to be rooting for Superman. We don’t know anything about him, his solo film didn’t really endear us to him and he’s going up against Batman. Batman has had more movies, more video games, more cartoons, the guy is beloved.
Meanwhile, you watch a trailer for Civil War and it’s stressful for just those two minutes. Captain America vs. Iron Man is not easy to take sides with. Everyone loves Captain America after right now. Also, everyone loves Iron Man right now. These characters have had multiple movies to grow and enter our lives and now we’re watching them fight. True, the characters themselves have never been super close in the movies (unlike the comics), but they have a certain respect for each other. This movie is going to be like watching Mom and Dad fight and Uncle Spider-Man is just making things complicated.
Excitement Level = Highly Stressful
X-Men: Apocalypse (May 27)
This one is weird for me. I’m usually through the roof excited for a new X-Men movie, watching the trailers over and over again. Not so much right now, even with Apocalypse, a villain I always wanted but never thought we’d get to see. We’ve got a sweet line-up of Horsemen, Nightcrawler and Psylocke and Michael Fassbender’s Magneto!
I think I’m just getting a little tired of Brian Singer’s choices with this franchise. I’ve loved this series forever, but I’m also ready for some color in the costumes, characters who have the same powers they have in the comics, characters who act like they do in the comics, characters who are the same age they are in the comic. I don’t know what I’m trying to say but it has something to do with comics.
Again, I’m plenty excited for this movie and I’m sure it will be great, but the franchise might need another kick like X-Men: First Class to make it fun again. But then, this movie is apparently closing out all six of the main X-films, so I better be careful what I wish for before this series is taken over by Deadpool.
Excitement Level = Controlled
Teenage Mutant Ninja Turtles: Out of the Shadows (June 3)
Man, everyone hated the first movie! Except me! I thought it fun, action-packed and not serious enough to have be bothered by it’s problems. But not everything has to be Civil Wars or Apocalypses, you know? Sometimes it can just be easy popcorn fun.
And this second movie looks like everything is being dialed to eleven. Bebop and Rocksteady, Shredder, Baxter Stockman, Casey Jones, Krang in a giant suit and the technodrome? This looks nuts. It looks like the 80s cartoon threw up. I know everyone loves the original movies and the first is great and will likely always be the best, but geez, relax and have a good time that isn’t set between 1982-1991.
Excitement Level = Extreme
Suicide Squad (August 5)
What is it with DC? I want to be excited for this movie, I really do. I love the Suicide Squad and a lot of the characters they’ve chosen to be part of the team, but something is off. Well, it’s really two people.And, surprisingly, it’s not the Joker that’s bothering me!
Harley Quinn and Deadshot bother me. Sure, I’m just going off the trailer so I’m sure I’ll be surprised by how much better they are in the full film, but what I’ve seen is getting to me. I like Deadshot in the comics because the dude is apathetic to his core. He doesn’t care if he lives or dies, doesn’t care who he kills, he just doesn’t care. Again, no idea if what I’ve seen in the trailer is the full story, but it looks like Deadshot has a bit more… care about him. And Harley Quinn? Well, maybe the character is like Deadpool and moved past me. Neither seem to need me anymore, losing some of the appeal that I fell in love with at the beginning. It’s a brave world out there and I’m outdated!
What was the point again? Oh, right. Suicide Squad. Outside of those concerns, I’m pretty excited to see how they pull this off!
Excitement Level = Medium-Well
Doctor Strange (November 4)
I like Doctor Strange. I think he’s cool. I like his mini-series by Brian K. Vaughan. I like when he turns up in Spider-Man stories. I like when people ask, “What sort of doctor are you?” and he answers, “The strange kind”. Classic stuff there.
But I’m excited to see some magic in the Marvel movies. Sure, it’s probably pseudo-science magic, like quantum physics or something, but that will work. Benedict Cumberbatch is looking pretty great in costume and everything I read about this movie makes it seem weird and different from all the weird, different stuff Marvel has done before.
Excitement Level = Spellbound
And that’s it for the year! We’ll see which films meet or exceed expectations and which fall flat. I think each of these films will be interesting and good in their own ways. None of them seem bad or fatally troubled. It helps that, outside of the Bat/Supes/Cap/Stark fighting, all of these movies seem pretty different from each other. I’m on board.
Excitement Level for 2016 = Super
Dr. Seuss celebrated his birthday last week and we recorded our podcast accordingly.
I think what surprised me the most was finding out how much of my worldview on war and the environment might come from the good doctor’s work. The Butter Battle Book and The Lorax might have had much more influence over me than I thought.
The next two weeks might get a bit geeky, but that’s because we’re building up to Batman V. Superman: Dawn of Justice. We might talk Superman. We might talk Batman. But in the end, what’s important is the talk, man. If you have favorite stories of either characters, let us know!
See you next week, podcats!
I received a copy of this book for free from Netgalley in exchange for an honest review.
This is the first time I’ve read this title and actually enjoyed it. Maybe it’s because Damian is only seen as a corpse, which means he’s silent. I think a big part of it is that I’ve always liked globe-trotting Batman tales, and I like the guest stars we have in this volume. What comes across as a pleasant surprise, though it shouldn’t, is that Batman isn’t a jerk to everyone he meets. Sure, he’s his normal Batman-self when it comes to people telling him what to do, but he almost seems cordial when talking to Aquaman or Frankenstein. The latter is just fun to see any day.
Ra’s is up to his old tricks again, which is fine, but I wish he would go back to doing some big villain plotting again and give us a break from the Lazarus Pits for a while. Batman is out to find the bodies of his son, Damian and his ex-girlfriend/villain Talia. He’s focused, as he is wont to be, but it’s not a focused that makes him insufferable. He’s downright relatable.
The final issue, with Batman sneaking into the Justice League Watchtower and going to a big, bad place is fun and it was nice to see him to so without coming across better than all heroes on Earth. For once, while reading this book, I want the next volume. And maybe I’ll go back to the books I skipped. Am I just a sucker for fun art? Maybe, but I think Peter Tomasi actually has stepped up his game.
I received a copy of this book for free from Netgalley in exchange for an honest review.
I’m all over the place with this book. It’s fun, moody and has a much-needed playful tone that Gotham City lacks. On the other hand, there seems like some missed opportunities and undefined character work.
Olive Silverlock is the best part of this book because she legitimately comes across as a worldly teen. She has a great design, a cool back story and I’d like to follow her story more. I hope DC doesn’t screw this up and make her into a Justice League sidekick that gets killed someday.
Gotham Academy is an interesting place. Looking right at home in Gotham city, it feels old and not the best place for kids to be sleeping. It almost comes across as a refurbished Arkham Asylum. Sure, it’s a prep school, but it’s extra creepy when we get inside the walls.
The story itself is akin to Harry Potter and might just appeal to the same crowd. Powers aren’t really on display here, but you get some weirdness anyway. There’s a few other characters, plus Gotham’s own Batman, that are likable, but not all the characters shine. Olive’s ex-boyfriend comes across as empty and more of a plot device than a person, and the faculty are missed opportunities.
Which is where my gripes come into play. Sure, we should have new characters and histories, but I wanted some Bat-related elements. When I read the first page, I thought the headmaster was Ra’s al Ghul and then I was swiftly corrected. But it keeps happening! The librarian looks like the Riddler but he isn’t and all I could think was wouldn’t it be cool if this was some sort of school where the Riddler was your librarian, where the Scarecrow is the school counselor and where wood shop is taught by the Ventriloquist. Obviously, it would be a completely different book, but I think it would have done it for me.
Either way, this is an interesting new title for the DC universe and it’s especially welcomed in Gotham City. We already added it to the library’s collection and I’ll be interested to see how well it does with our patrons, teens especially.
Part Three of the Batman Reread! In this, I look back on Batman: The Long Halloween.
The Long Halloween was one of the first ‘official’ sequels to Year One. Written between 1996-1997, the book is by Jeph Loeb and illustrated by Tim Sale. A serial killer, dubbed Holiday, is taking out members of the Falcone and Maroni family, Harvey Dent is trying to shut down the mob, and Batman’s rogue’s gallery is causing no end of trouble. There’s a lot going on and it’s no wonder it takes a year to tell.
Normally, I wait until the end to talk about the art but there’s no way for me to hold off with this book. Tim Sale’s art is gorgeous and one of a kind, and everything he draws is dynamic. Even the scenes that are just talking heads are lovingly illustrated and knock your socks off. His Batman is both heroic and demonic and his cape moves in the spirit of Todd McFarlane. I know the art might not be for everyone, some people prefer the realistic styling of Jim Lee and the like, but it’s Sale’s stylized art that truly makes this book a classic.
Which, upon rereading this, I believe even more strongly than I once did. On my first read, this book felt like a great American novel, with clever dialogue and a mindbending mystery. Now, not so much.
Jeph Loeb does a good job with this story but it suffers from his own style. If you read interviews and hear others talk about him, it seems that Loeb likes to write stories without the answers planned out. So, in this book, he’s written a murder mystery without knowing who he’s going to have end up be the killer. When I first read this, I thought the multiple choice answer of the Holiday’s identity was brilliant, because it let me decide who was the real bad guy. Now, I just wish Loeb would have told us, because it seems like everyone was Holiday, which means the character isn’t really important, because it doesn’t really exist.
I also had remembered Harvey Dent and his transformation into Two-Face being more subtle and tragic but on rereading, I was disappointed. It seems like Dent was always an angry and dark character, willing to bend to the rules to see justice. Maybe I’m bringing Christopher Nolan’s White Knight version of the character into the book now, but it does hinder my sympathy for Dent.
Okay, one more complaint. Batman fails. I hate that. I hate it when all the work a hero does ends up being fruitless. Remember how Jim Gordon and the others went to a lot of trouble to save the mayor from the Joker’s shooting in The Dark Knight? But then, in the next movie, the same character is killed off by Bane, making pointless all the work the heroes did! I hate stuff like that.
So, when Two-Face kills the mod boss, while Batman is in the room, I’m angry because Batman didn’t save the day. Holiday is never stopped, even though some people end up in jail for the murders, but everyone he wanted to kill is dead now! At the end, the question is asked if Batman and Gordon did the right thing, but looking back, I’m not sure what they did to help!
It really is Tim Sale’s art the saves this for me. I’ll read countless stories of nonsensical plotting as long as a get a parade of Batman’s villains drawn by Sale. And there are plenty of cool moments that Loeb gives us, many of them ending up in The Dark Knight (the burning pile of money, the pact between Dent, Gordon and Batman). Catwoman is written well here and is one of the cooler parts of the story. I also liked how this book shows the switch in Gotham from normal mob crime to Batman’s more colorful super villains. And if you don’t feel bad during the Mother and Father Day chapters, you need your heart checked.
Also worth checking our is the Noir version of the book. Without colors, the lines pop and you can feel the grit this story has. I still prefer Sale’s art with the dynamic colors, especially since the holidays rely on them, but it’s still great to look through.
Up next, Dark Victory!
Batman: Lovers and Madmen
Now this is interesting. Michael Green writes a story that, for all intents and purposes, can’t be considered canon, since it contradicts The Man Who Laughs and The Killing Joke. Both of those are already considered the origin of the Joker. But here’s the thing; to me, this is a better tale. This story puts front and center the idea that Batman is responsible for the Joker, yet he’s only part to blame.
The character on stage is Jack, a skilled hitman who sees no point in life. He’s too good at what he does and keeps hoping a cop will get lucky and take him out. It’s when he sees Batman, all dressed up and out of this world, that Jack finds a reason to live. Batman is ridiculous and it’s nothing Jack has ever seen.
Over the course of the book, Batman has a few chances to stop the actions that are going to turn this guy into his worst enemy, but he doesn’t. Batman is still new to the game and even sets Jack up to get beat by some mobsters. The Joker is given life because Batman exists. Without him, the man called Jack might have just lived out his boring life and died on the job.
It’s well told and does such a better job at examining the Batman/Joker relationship, that I wish this was the official story, instead of the mediocre The Man Who Laughs or the overrated The Killing Joke.
Batman: Dead to Rights
Taking place after the events of The Man Who Laughs (or whatever is the first Joker appearance), Dead to Rights, written by Andrew Kreisberg, shows what happened the first time Batman dropped off one of his rogues at the police station. The Joker is on display here, as the first real super villain Gotham had and we get to witness how unprepared the cops are for this type of criminal. The book shows how handling these characters wasn’t always second nature to Gotham and how someone like the Joker, Riddler or Scarecrow can change the game forever. It’s a little goofy at times (because the Joker is full murder clown in this one) but the story is a smart one and worth looking at for an early history of the Bat-world.
Batman: Year Two
A direct sequel to Year One and it does not hold up. Mike W. Barr’s writing is not up to par but it is nice to see early Todd McFarlane art in the later issues. Due to that, however, even though this book was written in 1987, it reads and looks like a early nineties comic for all the wrong reasons. Bloody violence, overwrought religious undertones, giant capes taking over the page, it’s a trip.
I’ve heard people bring up the similarities between this comic and Batman: Mask of the Phantasm but I don’t know if I would have found the comparisons otherwise. Maybe because they’re early Batman, maybe because the villains are reaper-themed characters, but that’s were the likeness end. This Reaper is dull, killing just because it was cool to have a villain kill with a scythe, all while wearing one ugly costume. Throw in some terrible Joe Chill (Bruce’s parent’s killer) and Batman using a gun (for very little reason) and you have a comic that you’re not sad to see leave canon.
By the team of Dan Curtis Johnson, J.H. Williams III, Seth Fisher, this story is right at the end of Batman’s solo career. He tries to form a team out of misfits, who would act more like an anti-crime cell than masked heroes. While that’s going on, Batman also has his first encounter with Mr. Freeze, which is also his first fight against someone with ‘superpowers’.
Mr. Freeze’s roll is largely forgettable, borrowing from the animated episode “Heart of Ice” and not adding anything very interesting to it. The team building is more unique because it flies in the face of how Batman wants to work; alone. But he builds them unlike a team of heroes and more like operatives. When it all falls apart, Batman decides that working with other people isn’t the problem, he just needs to go about it in a different way. And so he happens to see the Flying Graysons are in town, so…
Next week, we read Batman: The Long Halloween!