Book Review – The Book of Joe

1623232The Book of Joe, by author Jonathan Tropper, has killer premise that should make all inspiring writers jealous. Joe, an author made famous by writing a book that tears apart his hometown, must return to be with his sick father. He must now contend with the truths he wrote about head on. What a hook!

This is where the jealousy ends. The Book of Joe is letdown by Tropper’s amateurish writing, careless pacing and unlikable characters. What was a concept that might have rivaled The Silver Linings Playbook is, quiet frankly, a mess.

The idea of this story is that Joe was wrong to write about his town the way he did, exaggerating the truth and making people look bad. Except, when we meet the people in his town, they all come across as jerks and losers. That makes sense in terms of how they would act to Joe but there’s never the other side of the coin. Everyone comes across as very one dimensional and I never believed they had much cause to be offended by how they were portrayed in Joe’s novel. Maybe that’s my natural disdain for small town drama, but I couldn’t care for any of these people, and I was never given reason to otherwise.

Joe’s realization of his wrong doing, the wrong doing I wasn’t invested in, comes way to quickly for a book like this. He states how much he hates the town and never looked back for the first couple of chapters but as soon as he enters city limits, his whole character changes. Suddenly, without much prodding or reason, Joe is navel gazing about how important his time here actually was, leaving very little room for growth.

There’s quite a bit of flashbacks, showing us the one summer that changed everything for Joe. The problem with these is that they actually revolve around Joe’s friends and the main character becomes a spectator. When Joe goes on and on about how that summer effected him, it’s weakened by the events we’re presented with. In fact, very little in the book actually needs Joe around. He’s a witness to important events but not a key component to them. Yes, he has girlfriend in his teen years, but I never understood what she saw in Joe.

Joe’s whinny, navel gazing attitude is rewarded with wisdom, closure and sex by those he left behind all those years ago. Everyone, including Joe’s ex-girlfriend Carly, gives this unlikable character the attention he craves but doesn’t deserve. There’s no challenges Joe has to overcome to grow and become a better person, everyone does it for him. Joe’s brother concedes, the high school coach apologizes, Carly kisses him, all of these things fix Joe but he doesn’t have to put in any of the work.

Every character, especially Joe, has an in-depth and analytical view of their psychological well-being and can express it at the drop of a hat. Subtlety is a non-resident of this town. Joe’s emotional journeys last all of a page and he moves quickly onto the next. In the end, very little closure is given. Joe’s book isn’t forgiven, Carly is willing to give him another shot, his family might be falling apart, but it doesn’t matter because he’s writing again. And the view on writing is the most flowery kind. It’s the type where everything simply “flows” and characters are “discovered” along the way. How books are written this way is beyond me, but maybe that’s how we end up with something like The Book of Joe.

It fails at being poetic, at being deep, it’s not funny or insightful and has nothing to say about small town living or guilt from past mistakes. What a waste of a great idea.

The X-Men Work Best When Outside the Marvel Universe

CLH1.CA.0e.0414.X220.0.1Rumors are going around that Disney is going to buy 21st Century Fox, at least, it’s entertainment side of things. I normally don’t care to write about such things and, besides the fact that it’s scary to imagine Disney owning even more properties and franchises, this isn’t my field of expertise. However, like anything worth talking about, the X-Men are involved.

I’ve written about the X-Men and their movies time and time again. This entry will not be the last. They hold a special place in my heart with their characters and stories. The movies, especially, have been an important part of my life, never rebooting and telling a constant, although convoluted, story as I’ve grown up. And Disney owning the rights to make those movies could ruin everything.

I don’t mean that I’d hate to see the series start over. I liked X-Men: Apocalypse for a number of controversial reasons, but one of them was that it had a crew of big name X-characters; Storm, Nightcrawler, Cyclops, Psylocke, ect. If the movies rebooted, we could see a team of first class (pardon the pun) mutants headlining a film that hasn’t really happened since X2: X-Men United. Heck, that’s partly why I wish Gifted was a real X-Men show, giving us a Rogue that gets into the mix of things. And a reboot could even have a better prepared timeline, though, I might argue, there’s charm and artistic viability in not letting past films completely dictate new stories.

No, the reboot isn’t what I’m worried about. It’s the mixing of the Marvel Universe with the X-Men. Disney/Marvel’s Cinematic Universe would benefit from having a Wolverine, sure, but the X-Men, at their core concept, would be diluted. And this has been a problem since the very beginning.

xmen-90s-bannerBack in the 60s, when there were very few mutants on the scene, the idea of people hating and fearing the X-Men made sense. The few they knew about were some teens who wore funny costumes and a madman who could topple every city with magnetic powers. Of course they were scared. Even with Iron Man and Captain America, there was something different about mutants. Not everyone was going to survive a gamma bomb or get hit by cosmic rays, but anyone, even your neighbor or, worse, your own children, could be a mutant.

But, as the Marvel Universe grew, the differences became less important. There were so many non-mutant superheroes on the scene, how could you even tell who to hate anymore? Except, in the comics, as the general populace grew more tolerant of heroes, they still retained their bigotry towards mutants and the X-Men. And it made less and less sense. The core concept, of mutants being a minority and treated with fear, became less plausible, which watered down the X-Men. They still tried to tell X-Men stories like they always did, but, you had to start asking why Captain America wasn’t getting involved in protecting mutant teens from Sentinel attacks or why Doctor Strange let mutant massacres happen.

120e6cf4001aed45eb4700a28e90a4a4-grant-morrison-xmenAnother problem is that, in a shared universe, the X-Men could never attain their ultimate progression. Mutants are supposed to be the next stage in human evolution. Part of the fear humans have towards them is based in the fact that they will be replaced by this next step. Unfortunately, you can’t tell that story with Spider-Man around. Mutants can’t take over the world, or even come close.

Grant Morrison tried to tell that story in the early 2000s. He fast forwarded a bit but his X-Men stories were about mutants becoming a dominate force in the world. And Marvel retconned it as fast as they could and yelled, “No more mutants” and sent that number to under two hundred. They claimed they were bringing the X-Men back to their core concept, of being a minority, but, more simply, they couldn’t let the status quo get out of hand.

LOGANThe X-Men movies are flawed, I get that. Even the second movie, as fantastic as it is, has issues. Fox has made great X-Men movies and bad ones too. And now, with Hugh Jackman gone and three separate trilogies wrapped up, the movies are in a weird state of flux and uncertainty. But, with Fox retaining the rights, they’ve kept the X-Men in their own separate universe and have been allowed to explore concepts that wouldn’t work in the Marvel Cinematic Universe. The idea of a cure wouldn’t matter if mutants could join the Avengers someday, the world building in Logan would never make sense with Tony Stark and Bruce Banner on hand and can you imagine Captain America letting X-Men: Days of Future Past happen? Like in the comics, the X-Men stories would be set to certain guidelines and limited in their scope.

Also, look at Inhumans and Agents of S.H.I.E.L.D. How in the world would a company that makes those types of shows make something like Legion? Aren’t we at least a little better off in this world with a show like Legion on TV right now?

theres-an-end-credits-scene-after-x-men-days-of-future-past-heres-what-it-means-for-the-sequelIf Disney does buy up the whole world and owns the rights to make X-Men movies, I hope they would keep them separate from the Marvel films. Bring the Fantastic Four and Doctor Doom over, but leave the X-Men alone. At the end of the day, however, I have to remember I’m not in control of this stuff, that whatever will be, will be. I’ll learn to live and let go of the X-Men movies I grew up on and hold my breath as a new wave comes to pass. There would be some great benefits. Disney and Marvel would be more likely to put the X-Men in their comic book costumes and have a fan favorite team that doesn’t just focus on Wolverine. And they’d get the love in the comics that they’ve been missing over the years and maybe a new video game! Also, new films under the House of Mouse wouldn’t negate and erase the movies I’ve loved for so many years. Heck, if it happened today, I’d still have nine X-Men movies (and Deadpool) and that’s something fantastic. I just believe, as the animated series and movies and even games have proven, that the X-Men work when they don’t have to fit in a world of super heroes and can just be themselves.

All the Books Show: Episode 115 – Interview with Naomi Shihab Nye

We had another author guest on the podcast and this time it was poet Naomi Shihab Nye! Neat!

90136d8f86e957dca2bad726522e2faa-the-turtles-chapter-booksDuring her talk at the David A. Howe Public Library, she spoke about revising poetry even after it’s been published, about being political vs. being rude and wondered what a state motto has to say about it’s state. It was a great night and her interview on the podcast gives you a peak into why. We also talk about previous guests to the library, such as Archer Mayor, Joyce Carol Oates and Alexander McCall Smith. What a lineup!

The rest of the show, we talk about Gwendy’s Button Box, the New York Times Best Sellers list and partake in our regular shenanigans. What a funny word “shenanigans” is. It’s tricky to say out loud, it’s spelled differently than one might think. It really does contain multitudes.

You can follow us on SoundcloudYoutube or iTunes and even Twitter! I’m sure there’s another, cool platform I’m forgetting but you can follow us on that too!

See you next week, podcats!

Book Review – Carrie

carrie-first-ed-coverIs Stephen King’s Carrie a horror story? Did I make the right choice, picking it as a Halloween read? Was it once a scary book that’s been tamed by time?

Carrie is well known enough now that talking about the plot seems silly, but let’s get through it anyway. Carrie is a girl with a crazy mom. Carrie has psychic powers. Kids at school are super mean to Carrie. The kids cover Carrie in pig blood. Carrie loses it. Bad times are had by all.

So, is the book scary? Not really. It reads more like a super hero book, like a dark comic book in novel form. Psychic abilities aren’t very frightening, even when used by someone losing their mind. Like super heroes in general, Carrie almost reads like a power fantasy. Yes, when she lashes out on her fellow students and her home town, she takes it too far and kills a lot of innocent people. But, it doesn’t come across as horror, more like a disaster movie. Carrie, near the end of the book, is more of a force of nature, even though she’s able to target a few people specifically. A storm with a vengeance, but still a storm.

The idea of her being a natural disaster is backed up by the way the story is told through police reports, through interviews and headlines. Carrie is mentioned and talked about like she was a hurricane that passed through town. Dangerous, but not human. It’s an interesting way to tell this kind of story, it just doesn’t scream horror.

Carrie’s mother might scare some, but I find fundamental religious zealots to be the least effective way to make someone scary or interesting. The mother is a cartoon villain, a person beyond reason or relatability. She’s not real, in or out of the book. And, again, that type of insanity is at the bottom of the interesting-barrel for me as a reader. It always strikes me as lazy, as a quick wave as to why someone would act a certain way. Carrie is least interesting when dealing with that part of the story.

Not to say Carrie isn’t entertaining. It is, in both its destruction and seventies’ aesthetics. But, it’s more thriller than chiller. It reads like a super villain origin, which is fun, but I’m not sure how this has become a horror classic. I’m not even sure how it became a hugely popular book, as it doesn’t strike me as particularly earth-shattering in it’s plot or style. But, maybe I’m in the wrong place and time. Maybe, back in the late seventies, this would have scared the heck out of me. Or, maybe, I would have treated it like a Doctor Doom comic book and wondered what I’d do with some nasty telekinesis powers of my own.

Book Review – Gwendy’s Button Box

51elgpd8rol-_sx320_bo1204203200_Gwendy’s Button Box, by Stephen King and Richard Chizmar, is short, being only a one hundred and seventy-five page novella. I don’t know how everyone else’s mileage will be, but it was a single sitting read for myself. The reason I bring that up is because I’m not sure if I liked it or not, but how bad can a book be that reads so quick?

The story follows Gwendy, a young girl given a button box that gives her candy that helps her lose weight and live a pretty great life. Sometimes, bad things happen and she’s not sure if it was her fault, the box or just fate. I feel like I just spoiled the book because that’s really all there is to it. Maybe I’m oversimplifying, but not by much.

The book reads quickly because the chapters are short and the information is dispensed at a pleasant pace. One thing King does well is show a day of the life of his characters, pinpointing mundane facts that are actually deeper insights into what makes that character tick. That’s what Gwendy’s Button Box is, days of the life of Gwendy. Sometimes, that’s interesting and, sometimes, it’s just the life of high school girl.

The supernatural elements are found in the button box, but again, their results are mundane. At times, when Gwendy is worried about the box being found or tries to get rid of it, there’s an old school sense of attachment given to the inanimate object. It won’t be ignored or thrown away, even though it doesn’t come across as threatening.

Again, quick read. Compelling? I’m not sure. King’s style creates a page turner, but easy-to-read doesn’t mean exciting. I was never worried or scared, and my interest didn’t rise above “mildly peaked”. I’d say it’s skippable, unless you really just need something this length.

The Great Halloween Playlist – Volume 3

unnamedWelcome to The Great Halloween Playlist – Volume Two! Be sure to check out Volume One and Volume Two!

Halloween is my favorite holiday and it’s the only other one besides Christmas that takes up the whole month. From October 1st to the 31st, it’s Halloween. And a month long holiday needs a soundtrack, it needs holiday music.

And I’ve been around the internet, I’ve seen the “best” lists for Halloween tunes. Some are good, some are bad and all include “Thriller”. But, I have my own list. My own Halloween playlist. And, yes, their true form is that of mix cds. I’m going to share this playlist, focusing on each cd, each volume, per post.

Two things to note before I start. There’s a good amount of instrumental music in each volume. Many of those tracks are video game remixes, mostly found from Overclocked Remix. There’s movie soundtracks too, but I just wanted you to know that music from Castlevania, Doom and Resident Evil shows up quite a bit.

Second, everything is personal and subjective. If you love these, great! If you don’t, make your own. Send me your list! Maybe you’ll inspire me to create another volume in this playlist of mine. Now, I’m done with disclaimers.

Volume three was made the year after the first two and I had thought I had burned through the best songs. Little did I know! As it turned out, this third volume would see me discovering great songs I had never heard about. It also helped me find the spookiness in old favorites.

Thus, we continue with Hallows’ Eve: Volume Three.

1. “Bumps Gonna Goose Ya!” by Jack Black

The Goosebumps movie was better than it should have been and even had a non-fan like me in it’s nostalgic grip. It helps that it had this 90s-styled recap of the movie geared up before the film. Bad raps that recite the plot of a film are of a bygone era, and this shows why. But it has a killer chorus and Jack Black goes for broke.

2. “True (It’s Gone Now Mix)” by Steve Pordon

Again, Silent Hill is too scary of a game for me, but this mix is my kind of spooky. That guitar is a phantom gripping your back and pulling you away from your friends. It’s more of that girl-from-a-well type tune that we saw previously, and it feels like your in an abandoned city and can’t remember why.

3. “Dark Horse” by Katy Perry Feat. Juicy J

I don’t like Katy Perry. At all. But I can’t deny how creepy and seductive this song is. It’s like witchcraft. The lyrics tempt you even as they warn you. That beat is pure evil, but, during Halloween, it tricks you into a false sense of  security. It’s a lie. You’re trading your soul for a sick hook. Juicy J’s rap isn’t enough of a warning sign. It should be. I mean, if she tricked Juicy J, what hope do the rest of us have!

4. “Redemption” by Brandon Strader

The main theme from Telltale’s Walking Dead games is a great, somber piece. Strader takes that source and adds some life to it. It doesn’t take away the from the desperation, but there’s a bit more hope in the mix. I can’t help but think of mid-western wheat field, of Night of the Living Dead, of the dark closing in.

5. “The Man Comes Around” by Johnny Cash

Brought to the Halloween party by 2004’s Dawn of the Dead. Not a bad movie, either, though not one I rewatch like Romero’s classic. But, those opening credits show the world going to hell in such a splendid fashion, you’d be right in thinking that Zack Snyder should end all movies after the title sequence. “The Man Comes Around” is a fantastically evocative song on it’s own. Cash’s raspy voice in his last days has so much belief you feel like that pale rider is going to show up mid-song.

6. “Tubular Bells” by Mike Oldfield

I will never watch The Exorcist and you can’t make me. But, boy howdy, if those tubular bells don’t press all the right buttons. It’s such a haunting theme that it could go with any possessed house. As soon as the leaves change colors, this song is in fashion. And that last minute has such a nasty guitar that any beauty those bells had is forgotten.

7. “Of Whips and Strings” by Super Guitar Bros.

The Castlevania soundtrack is all killer, no filler, and this mix brings a whole lot of it together. Out of the three Castlevania tracks we’ve had now, this is the most woodsy of them all. It sets the mood for a nameless European village being visited by the man who promises to kill their local vampire. It’s sad, but it’s exciting, all while being a bit doomed.

8. “Ghost Town” by Adam Lambert

Adam Lambert is a big fan of Adam Lambert but he brought us “Ghost Town” so maybe he has something right. Club music for those haunted by spirits they can’t escape. That whistling is so lonely and so very empty. Try driving with this playing on the radio, when the night has fallen and the leaves blow carelessly across the road.

9. “The End of Hell” by Mazedude, Alisean

More Halloween, more Doom! But, this time, it’s not a remix of “Into Sandy’s City”! It’s just as disturbing, though. It has a Danny Elfman-vibe at times, sounding like it could have come out of the Beetlejuice soundtrack. It has that unrelenting bass that you’d expect from Doom, but there’s that wicked melody that throws everything off kilter.

10. “The Monster” by Eminem feat. Rihanna

The rest of the song is suspect in it’s spookiness but Rihanna is my favorite ghost gal. Her chorus wins this song a spot on the playlist. The music itself actually works well for the season, but come on, “I’m friends with the monster under my bed, get along with the voices inside of my head”? That’s wonderful. It’s nice that she’s escaped Disturbia but now she has to drive us crazy too? What a spooky treasure, she is.

11. “Dream Eater Mix” by Solkrieg

Is there Halloween dubstep? Is this all there is? Because this is something else. You have some of the coolest, loudest sounds to come out of October here and that creepy little girl singing who-knows-what? Maybe it’s not a girl, is it just instrumental? That’s CREEPIER! This isn’t the first time we’ve had Lavender Town’s theme show up but it will be the last because nothing is topping this. It’s scary but it rocks so hard. And that music box! GAH!

12. “Ghost” by Ella Henderson

Volume Three of this playlist has pushed hard against what should and shouldn’t be considered a Halloween song. I’ll admit it! And “Ghost” might be too pop to make it’s own case. But, if you force yourself to not think about this song as about a breakup, than, guess what? Ghosts!

13. “The Haunted Train Disco” by The Orichalcon

Good thing that voice clip tells us we’ve reached our doom or this would be too much fun. It’s another song that screams carnival. I’ve never been to a carnival during Halloween. You know, with rides and clowns. I’d imagine it’s great. Is that something that happens? Where would I have to go to find it? Not some harvest fest, for kids and crap. I want to think those people selling giant bears are out to get me.

14. “Pet Sematary” by the Ramones

This song is an absolute classic. That chorus is full of sorrow and fear. Pet Sematary is a disturbing book and the result of being buried there seems like a fate worse than death. After reading that story, it’s not hard to tell why you wouldn’t want to live that life again. Lot’s of great holiday imagery makes into the song; warlocks, wolf cries, goblins(!) but that chorus and fade out are the star.

15. “Halloween Theme – Main Title” by John Carpenter

Like “Tubular Bells”, the theme from Halloween is a scary piece of standalone art. It’s simple, but perfectly consistent. And that perfection is too much for my anxiety. Piano’s can be horrible to us when we let them. You can hear the grit of the 70s in this track and see the grain on the screen as that knives cuts through a door.

16. “Up Jumped the Devil” by Nick Cave & The Bad Seeds

What makes this song so nasty is how Nick Cave throws himself into the role. As the character in this tale gives into his evil nature, he spirals more and more out of control. Yeah, we’re to believe he was born this way but he seems to be having too much fun to pity. And the music is chaotic and only gets more so as the song goes on. The images of “My daddy did a jig, With the drunk midwife” are nutty and insane. Nasty, yes, but cool enough to be a bad influence.

17. “Ada’s Groove” by ABG

I just realized how heavy this volume is with zombies! And then this track comes in to chase you down the hall, out to the streets and into the sewers. Why did you run into sewers? Those are never safe!  There’s that flute-like call in the song but it feels disconnected from the ticking clock of a beat. It’s frantic, it’s lonely.

18. “Jack the Ripper (Live)” by Morrissey

“Pet Sematary”, “Up Jumped the Devil” and, now, “Jack the Ripper” by Morrissey make for a trilogy of nasty songs. Halloween suddenly got less fun and more dangerous. We’ve been playing with fire for three albums and daring spirits. This song is told from the point-of-view of the Ripper, taunting the women he’s leading to their last moments. But line’s like “Crash into my arms , I want you, You don’t agree, but you don’t refuse, I know you” matched with a teasing and wretched guitar could seduce any of us down an alley we’d never return from.

All the Books Show: Episode 112 – Spooky-lite

It’s a spOoOoOoOoOky episode! Because it’s Halloween month! Did you know I like Halloween? I do. You should know this by now.

We talk about this year’s additions to the horror genre, both Young Adult and regular Adult! You want scary teen adventures? How about There’s Someone Inside Your House? You want ghosts and evil spirits? Boom, here’s House of Furies, You want twins in danger and James Patterson’s name on a cover. Good news, we talk Crazy House.

jemc-cover-largeNic talks about three books and they’re possibly too scary. That The Grip of It sounds horrifying. Anything without skin is scary. Anything. Picture a duck. Do you have a clear image of a duck? Now, picture that duck without skin. And, yeah, it still has feathers. That’s terrible.

Even that cover is scary. WHY DOES IT KEEP SAYING, “A NOVEL”?!?

It’s also the one I might pick up if I had to choose. Crazy House too, maybe. I don’t love murder, so I doubt I’ll be reading There’s Someone Inside Your House, no matter how “subversive” it is. Everything’s subversive these days. Not this blog, though. It’s very traditional. Paragraphs and all, you know?

You can follow us on SoundcloudYoutube or iTunes and even Twitter! I’m sure there’s another, cool platform I’m forgetting but you can follow us on that too!

See you next week, podcats!

Stream Recap – Alan Wake

61yl1rjcxsl-_sy679_In which I recap streaming a game I just completed. Please accept this stream recap.

Alan Wake was an interesting game, and one that felt like it was meant for the Playstation 2. Back on that console, a lot of games had one concept, sometimes two, and that was their main selling point. Prince of Persia had great combat and climbing mechanics, but it was sold on the concept of time manipulation. Final Fantasy X was a Final Fantasy game but it made a big deal about its voice acting. And Alan Wake is a third person action game with flashlight-based combat.

The core mechanics and concept would have fit right at home on the PS2 and I think the game might be looked upon more fondly if that was the case. But, the lighting and environmental effects needed the graphics of the Playstation 3 (or, in my case, a PC) to do it right. So, Alan Wake comes across as being part of two different generations. The PS2 qualities feel dated on newer machines, but it needs newer machines to work it’s mechanics.

alan_wake_f_01Playing the game today, I was able to sit back and enjoy the ride. I found the simple flashlight-based combat to be a fun variation on shooting a bad guy til he’s dead. I liked throwing flares around like grenades and blasting shadow monsters with shotguns. It wasn’t complicated but it was exciting.

I didn’t come across the public’s negative feelings about Alan Wake until after I played the game, so I was surprised to see how many complaints people had. While it sounds like the majority found the story to be a disappointing failure, I thought it was a silly roller coaster ride, just throwing twists and turns around for the fun of it. None of it made a tons of sense, but, in the moment, it was intriguing. The game never took me out of the story.

alan_wake_2Maybe that’s because it’s told in an episodic format. I’ve read how that bothered people back when it was first released, as a full game with recaps and end-of-episode breaks. Today, the concept of episodic gaming, and owning full seasons of Telltale’s series, is commonplace and didn’t bother me at all. In fact, it helped with streaming the game, because it gave me a great stopping place and, then, a fantastic recap to get me jazzed for another session.

I chose Alan Wake because I wanted to stream a spooky game for October and, while it wasn’t scary, it brought that Halloween vibe. It’s not survival horror, not really, but the setting and style help create an atmosphere that’s creepy without being scary, that’s off without being Silent Hill 2. I jumped but I didn’t hide under my bed. It’s got shadow monsters, Stephen King references and crows that want Alan’s eyeballs for dinner. I wouldn’t play it again, but I would happily buy a sequel.

You can find this stream and other videos here or watch live at my Twitch channel!

Book Review – Day by Day Armageddon

510vg5q2bdilJ. L. Bourne’s Day by Day Armageddon is written as journal entries. The whole book is journal entries. Reading the book is liking reading a journal, because the book is written in journal entries.

I hope I got across that this book is written as journal entries because that’s the one and only interesting thing about zombie-tale Day by Day Armageddon. I’m not being too harsh either, since most of the marketing and blurbs about the book are about how it’s written. But, where as Max Brooks’ modern classic, World War Z, used a unique format to tell enthralling zombie stories, Bourne uses his style to hide a dull, plodding book.

The beginning of the book starts out strong enough, with an account of how the zombie apocalypse comes about and how it escalates. The cause and effect of the early chapters works because there’s momentum in the dominoes of the modern world toppling over. But, even then, cracks begin to show.

Bourne reveals his amateurish writing from the beginning. I don’t want to call it lazy, because laziness doesn’t complete a book. But, you can write a novel without having much skill in the art. There’s an overemphasis on descriptions, from locations to activities. As we follow our main character, every step he takes is accounted for, even if he does the same things everyday. Now, that could be interesting, as it could be an examination of how monotony can ruin a person’s psyche, especially in survival situations. That’s what Richard Matheson’s I Am Legend is all about and it’s fascinating.

Unfortunately for Day by Day Armageddon, Bourne isn’t up to the task. He rarely brings psychological ramifications to light and, when he does, they’re random and thrown away quickly. Thoughts like “Why am I still trying to live?” and “What’s the point of tomorrow?” are ignored as quickly as they arrive. Either Bourne isn’t interested in that type of story, or he thinks these quick snippets are enough.

Now, not focusing on the psychology of the character would be fine if that’s not the type of story Bourne wants to tell. But, I’m not sure what he is trying to say. Day by Day Armageddon isn’t an action story and it’s hard to feel tension when we know the character had to survive to tell the tale. It’s not a book about relationships falling apart or the evil nature of humanity. None of the characters have enough depth to invest in and there’s no dialog to learn from. There is a group of survivors who show up and cause trouble for the main group, but they’re taken care of without much fanfare.

Without any unique perspective or point of view, Day by Day Armageddon is just a daily account of someone taking the bus to the office. Except, even that type of story could be interesting if it had the right focus. Here, we’re reading about survival without purpose. The book doesn’t end with a cliffhanger or closure, it just ends. There’s no inertia given for the reader to want to continue the series. Bourne shows he has the commitment to write a book and get the technicality of it down, but he doesn’t have the skill to make it something worth reading.

If you’ve read more than the first book, maybe you can tell me if he gets any better as a writer. I doubt it, but I won’t be finding out for myself. Day by Day Armageddon is a book I wouldn’t recommend, even if you were desperate for zombie fiction. Maybe, when this book was written in 2010, we had less options and would read anything we could find. Today, you could spend years reading zombie apocalypses and never need to pick this up.

The Great Halloween Playlist – Volume 2

werewolvesWelcome to The Great Halloween Playlist – Volume Two! Be sure to check out Volume One and Three.

Halloween is my favorite holiday and it’s the only other one besides Christmas that takes up the whole month. From October 1st to the 31st, it’s Halloween. And a month long holiday needs a soundtrack, it needs holiday music.

And I’ve been around the internet, I’ve seen the “best” lists for Halloween tunes. Some are good, some are bad and all include “Thriller”. But, I have my own list. My own Halloween playlist. And, yes, their true form is that of mix cds. I’m going to share this playlist, focusing on each cd, each volume, per post.

Two things to note before I start. There’s a good amount of instrumental music in each volume. Many of those tracks are video game remixes, mostly found from Overclocked Remix. There’s movie soundtracks too, but I just wanted you to know that music from Castlevania, Doom and Resident Evil shows up quite a bit.

Second, everything is personal and subjective. If you love these, great! If you don’t, make your own. Send me your list! Maybe you’ll inspire me to create another volume in this playlist of mine. Now, I’m done with disclaimers.

Fun fact about this volume, it was made at the same time as the first! It would be an annual undertaking afterwards, but I didn’t know that the first year. So, I went for broke with the first two and they act as companion pieces to each other.

Thus, we listen to Hallows’ Eve: Volume Two.

1. “Ghostbusters” by Ray Parker Jr.

The first song on each of these volumes is an important decision. If you’re listening to this playlist in cd form, the perfect form, it’s even more important. I’ve tried to keep each first song a fun one, because you don’t want a happy Halloween mood shut down with something more somber. But, a happy Halloween song can lift your somber mood! So…Ghostbusters”!

2. “Shikashi’s Dream” by anterroir

The Legend of Zelda: Majora’s Mask is a creepy game. That giant moon just keeps looking at you…watching. The characters in the game aren’t that much better and there’s always something a bit off about them. This song could be the theme for any of them. Apart from the game, it’s the song you hear when you find a lone cottage in the woods, where you shouldn’t be. There’s something off about it too. Leave.

3. “Mitternacht” by E Nomine

Mitternacht means Midnight! What’s scarier than midnight during Halloween! And checkout that beat. I don’t know about your experiences with German techno, so Happy Halloween, I give you the treat that is E Nomine!

4. “Panic of the Undead” by Noppz

“Panic of the Undead”, a remix from the game Zombies Ate My Neighbors, is a fun tune that has that uneasy carnival vibe we find so much during October. There might be zombies, sure, but there’s a Ferris wheel that’s moving on it’s own and a clown that’s just laughing for no reason. Even the giant teddy bears seem to have teeth. This song is the tilt-a-whirl.

5. “Flame” by Bell X1

I like an October song that feels like Autumn as well. “Flame” paints that picture. Dark nights after it’s been raining, toasting marshmallows in a haunting light. It’s romantic too, with that deep sense of unrequited longing and sometimes that can get a bit unnerving too. It might not be about ghosts and ghouls but it creates a scene that leaves room for them.

6. “Clairvoyant Eulogy” by The Orichalcon

The creepiest Pokémon track from the creepiest Pokémon town. Lavender Town knows it has ghosts and the villagers just live with it! This source tune will come back in a later volume because it’s just so haunting. That repetitive opening, that sorrowful chorus, it fits the spirits that are still living in our house so well. Grab a flashlight before you go to bed.

7. “Thriller” by Michael Jackson

Hey, look, it’s “Thriller” on a Halloween playlist! Guess I’m a freaking sheep! Why else would I put this funky, rocking, so dance-able-it-makes-the-dead-groove song on my list? It’s probably the biggest and most obvious Halloween song out there, and even if you don’t like it, it has to be here. It’s earned it.

8. “The Accursed Seal” by Juan Medrano

A remix of “Bloody Tears” from Castlevania II was always going to end up on this playlist. It just so happens that Juan Medrano’s mix rocks too hard to ignore. It’s one of the harder songs throughout all the volumes, with that crying guitar just looking for someone to set it free. There’s that carousel-like bridge but it gets right back to business. This song chooses action over chills when it comes to vampires.

9. “The Twilight Zone” by Rush

The Twilight Zone is one of the best shows I never watch enough. Rush captures the sense of eeriness and otherworldliness that the show did so effortlessly. They wrap references and images in an already fantastic song, with that trotting bass and those almost teasing “nananas”. If a show like The Twilight Zone doesn’t deserve a song during Halloween, then nothing does. Also, 2112 is a fantastic album.

10. “Deadside Dance” by Alexander Previert

I’m such a sucker for voice samples in songs. “Deadside Dance” is full of moody and corny pieces of dialog, but, combined with the relentless beat of this mix, they create a spooky atmosphere of shadow and magic. We’re dealing with the end of the world and crossing over to the land of the dead here. You, like myself, don’t even need to have played the Nintendo 64 game to appreciate this song during those overcast evenings.

11. “Fatal” by RZA

The only good thing to come out of Blade: Trinity and I’m sure RZA could have put this out without that toothless vampire film. This song is the complete opposite of the movie, it’s all bite. Have vampires ever sounded this BA before? RZA makes them sound so frustrated, so ready to take back the night. It might be about Dracula, it might be about you. The important thing to remember is to not cross (get it?) a vampire in the night. (Also, I made that video more than ten years ago).

12. “My Loved Ones Are Gone” by Psycho Crusher

There hasn’t been a lot of sorrow on this volume but,  when it does shows up, it works. “Shikashi’s Dream” and “Clairvoyant Eulogy” had it and so does this song. It’s brutal, yes, like the moment you bust into that evil house and start cutting your way through the undead. But, you’ve lost many to get here and you’re not sure you’re going to make it out alive. How can you trust a guitar that sounds so heartbroken? That’s when it’s the most desperate!

13. “X-Files (UNKLE Variation On a Theme Surrender Sounds Session #10)” by Mark Snow

I really do mean to get back into the The X-Files. I think I’m in the middle of the third season? I remember an episode with Jack Black. For the purpose of this playlist, it doesn’t matter because the main theme from the show is strong enough to stand alone. It’s so eerie and evocative that’s it’s easier to understand why this was the one of the most recognizable tunes of the 90s. Even if you didn’t watch the show, you knew to be creeped out by this song. And this version from the last movie is a great variation that might even improve on the original.

14. “(Don’t Fear) The Reaper” by Blue Oyster Cult

And classic rock is the gift that keeps on giving. I’d say it’s not as woodsy and Lovecraftian as Donovan’s “Season of the Witch” but this song is haunting in it’s own way. The images of blue candles, ghosts and lost loved ones fit the holiday well and the bridge is right out of The Twilight Zone. It helps that it’s one of the best rock songs of it’s time.

15. “Neighburgers” by Protricity

Zombies Ate My Neighbors are back! And on the same volume! What might have been a glaring mistake made by yours truly has turned into a happy accident as this mix is darker and a lot more teasing. It rocks a little more, feels less like a carnival and more like a chase you can’t escape. It’s rainy and suburbia is dark.

16. “Halloween (Speedy Mix)” by Aqua

We return to Aqua’s helium-induced singing for the StepMania version of their song “Halloween”. It’s quicker, shorter and would work well on Dance Dance Revolution. Not much to add, other than I like the song so much, I found a way to get it on this playlist twice.

17. “Blood Bath” by Mazedude

I told you we would return to Doom II‘s Into Sandy’s City” and so we have. The other mix, “31 Seconds”, was a somber piece of cheese wiz. “Blood Bath” is lactose intolerant and sets out to be horror show. The title seems all too appropriate. It’s heavy, it’s scary, it feels like the dark Halloween nights we don’t want to be part of. But, with a soundtrack this good, maybe it’s worth the risk. And the axe in the back.

18. “Werewolves of London” by Warren Zevon

After “Blood Bath”. we needed to end on a lighter note. And sure, the werewolves have taken over, but it seems so fashionable. They’re hanging out with the Queen, for pumpkin’s sake! There’s still elements of danger, such as lungs being ripped out, but, mostly, Warren Zevon is more interested in their perfect hair. I’d rank this alongside “Thriller” in being required Halloween listening.