Category Archives: comic books
I was a bit too young to watch the Batman animated series as a kid, specifically on a regular basis. During it’s early years, anyway, I missed a lot of the show while it was airing. It wasn’t until its later Fox Kids years that I started catching the show after school.
I remember seeing those episodes as a kid and them seeming so epic. There wasn’t a lot like it, until Gargoyles, that felt like an adult show I was getting away with watching. Those later episodes introduced me to Ra’s al Ghul and the forbidden romance between Batman and Talia, Killer Croc’s inability to reform and the Riddler’s obsessions. I still wasn’t able to watch the show on regular basis, but I knew it was out there and was telling stories that were cooler than any of the other shows I had been following. Images like Ra’s hand reaching out of the Lazarus Pit, Babydoll shooting a shattered mirror or that kiss between Batman and Talia have stuck with me for years.
When Batman: Mask of the Phantasm was released on VHS, my mom rented a copy for me. I don’t know how it all worked out but I ended up watching it alone one night when everyone was asleep. At the time, I couldn’t have been much older than seven and I knew instantly that I was getting away with something.
As people were dying, kissing and dealing with these huge issues on screen, I kept checking to make sure no one was coming. If my mom saw a mobster getting crushed underneath a tombstone, that tape was going back to the video store pronto. When the Joker was on screen, it was terrifying but thrilling. The clown was killing people! Everything about that movie felt dangerous and it was an eyeopener for my young self. It might be one of the best movie experiences I’ve ever had.
Years later, when the show moved to the WB and became an after school block with the Superman animated series, it became something I watched religiously. That block became a refuge for me. I looked forward to getting to it on time after another terrible school day and it lasted until my parents came home and life became slightly less ideal.
That rebooted version of the show, with it’s updated animation style, was the coolest show in the world for me. It introduced me to Nightwing, a Robin that I was actually jealous of and a Batgirl I would follow to the ends of the earth. Episodes like “Over the Edge”, “Mad Love”, “Growing Pains” and “Joker’s Millions” left huge impressions on me and influenced my view on all the characters. When I started reading Batman comics, starting with No Man’s Land, I was confused by any differences between the elements of the show and what was on paper. But, without the animated series, I would have never picked up the comic.
Batman Beyond and the Justice League series really deserve their own blog, as well as the Superman show. They all became important to me at different times in my life and kept the continuity started by the Batman animated series alive, as well as the character of Batman himself.
I was finally able to watch all the episodes I had missed when the series was released onto DVD. Those collections were wonderful and I’ve watched through them multiple times, always excited to restart the series. It’s the easiest show in the world to binge because it’s quality is so high and the characters are so compelling. It’s also one of the few shows I watched as a kid that stands up to watching as an adult. This anniversary has given me the bug again but it’s not something I’ll fight. The show is a treasure to Batman fans. It introduced me to so much of that world and influenced my tastes in huge ways. No other Batman series has topped it in quality, even though Batman: Brave and the Bold found it’s own identity and works on it’s on level. Only Batman Begins has ever come close to being such a faithful adaptation. Twenty-five years later and the original 90s show still has all the vitality of a much younger series. It’s timeless, it’s iconic, it’s Batman.
I just finished reading the third volume of Jason Aaron’s Doctor Strange series and, so far, so good. Chris Bachalo’s art is a great fit for a Doctor Strange comic and he and Aaron made a good team while working on Wolverine and the X-Men a few years back.
But, what surprises me the most about this Doctor Strange comic is that we’re three volumes in and a fourth is on it’s way in October. While reading the first trade paperback, I assumed Aaron would be around for a least a second volume. After all, most series at least last for twelve issues to get that one-two-punch setup of two single volumes of trade paperback and, then, the later released “definitive” single edition.
Three volumes, though? With a fourth on the way? What’s with this extended storytelling? Who does Aaron think he is? Chris Claremont? (Chris Claremont is a comic book writer who wrote X-Men comics for seventeen years straight. You can get the joke now.)
Of course, I don’t really think of four volumes as an extended run but it’s not far off. Twelve issues seems to be the magic number for most series before they get the reboot and a new first issue. I’m sure that helps sales, as most people would be more willing to pick up a first issue rather than a thirty-second. But, I’ve begun to have setup fatigue.
See, with every first or second issue, we need a setup. The writers have to explain why this new series is different than the previous series, even if it’s just one Hulk book from the next. Yes, last year’s Uncanny X-Men was about our heroes on the run in Antarctica, so we needed to reboot the series so we could place our heroes on the run in London. It’s different. And we have to spend forty four pages explaining why it’s different.
With DC Comic’s Rebirth event, it hit me harder than ever before. Wonder Woman: The Lies was fine and entertaining, but I’ve read so many first volumes and origin stories of Wonder Woman that I just couldn’t care anymore. The same thing goes for the new Justice League comic. Instead of a new story, I have to read six more issues of introductory action and be reminded who these characters are again and why Batman chooses to fight crime dressed as bat.
Team book, like the X-Men and Justice League, are the worst for this because each incarnation of the team has to have a reason to exist and a new lineup of heroes. I can’t count how many X-Men comics I’ve read that are just characters walking down halls, welcoming back Iceman for whatever new direction they’re going with. But, solo heroes still get annoying, with constant first issues of Batgirl leaping from buildings, talking about how much she loves being a hero. All reminder, no momentum.
What happens, with this setup fatigue, is I stop caring and I don’t let myself get invested. It’s partly because these stories have little overlap and almost none of them carry over. Jason Aaron’s Wolverine and the X-Men comes back to mind because that lasted for a while, filling up eight volumes. That’s one heck of a run in these days. But, as soon as the series was over, almost all the work that he was doing with Wolverine as a character was ignored. Series that run for less time are even worse investments. Iron Man is obsessed with rebuilding his company’s name in one series, two months later he couldn’t care less in the reboot. Why should I care for one setup when the other is one the way?
What we lose is a sense of purpose, that these stories matter. Villains no longer have plans, they simply attack because it can fill two issues with action. Subplots are largely ignored. Not to keep singing the praises of Wolverine and the X-Men, but over the course of that series, Jason Aaron was able to tell lots of small stories throughout. There was a time, such as with Chris Claremont’s X-Men run, where you could have Mastermind working in the background for a year and still not reveal is full plan to drive Jean Grey insane.
Maybe superhero comics aren’t going to be that type of story anymore. Brian K. Vaughan rarely writes comics that don’t last ten trade paperbacks. Fables, by Bill Willingham, lasted for twenty two volumes and spin-off titles. Sure, Scott Snyder wrote on the New 52’s Batman for the whole run, but he’s also been writing American Vampire for years.
Times have changed and I don’t mean to sound like I want “the good old days” back (I least hate thinking I sound old). I just want good stories. Comics are episodic with many having no end in sight. But, when we’re constantly starting over, that lack of ending is getting exhausting. It has to do with the fact many comics used to run hundreds of issues, so we just went along for the ride. Imagine going on a road trip for two days and how enjoyable it could be with no traffic and some great music. Now, imagine being on that road trip and the driver keeps stopping the car every hour, turns around and goes back twenty minutes and pick a new route. You have to repeat the music too. Also, I think he keeps slamming on the brakes for no reason. Dad’s are the worst.
I haven’t written about a DC Animated Movie in a while. I liked Batman: Assault on Arkham, Justice League Dark and the second half of Batman: The Killing Joke. But everything else has left little impression on me. I miss the days of adaptations that brought different styles to each film, like All Star Superman or Wonder Woman. The new continuity driven films are stuck with boring stories and uninspired voice casting.
Considering my disdain for the Suicide Squad’s take on Harley Quinn, I wasn’t surprised by my lack of interest in this new entry. But, when I looked up pictures of Batman and Harley Quinn, I found myself getting excited. It looks like the WB years of The Batman Animated Series! They got Kevin Conroy back as Batman and they brought Loren Lester out of mothballs to play Nightwing! Wow! And Bruce Timm is involved? I’m back in, baby!
The biggest mistake I made with that excitement was actually seeing the movie. I should have watched my dvds of the animated series or read a new Batman comic. Instead, I drove ninety minutes to the nearest theater showing the movie and saw what poison (ivy) can do to nostalgia.
Batman and Harley Quinn doesn’t know what kind of movie it wants to be. Sometimes, it’s trying to be call back to the great, genre-defining show of the 90s. Sometimes, it’s wants to be the Adam West Batman show with the old cartoon’s setting. Sometimes, it wants to be a comedy. Sometimes, it wants to be a lost episode of Justice League Unlimited. Most times, it’s just bad.
As a comedy, it falls so flat you’d have to think it’s intentionally not being funny. Barely any jokes land and the ones that do are stretched out too far. Melissa Rauch plays Harley Quinn almost as a parody of the Arleen Sorkin. It’s a DOA portrayal, living in the same space of the original character but not breathing the same air. I’d be willing to accept it’s not Rauch’s fault though, as the writing is lazy throughout the whole movie.
Really, Batman and Harley Quinn is a shadow the 90s show, taking the goodwill from the past twenty years and punishing us for it. It makes me wonder if Bruce Timm isn’t as talented as I thought he was. Maybe, he needed all those other writers and artist to keep him from raveling in his inherent tackiness.
We spend far too long in a dive bar with a bunch of extras, watching two twins sing “Don’t Pour Your Love” on stage, only for Harley to then do the same thing with “Hanging On the Telephone“. And, both songs are played in their entirety, because this movie is looking to waste as much time as possible.
The animation looks cheap throughout and closeups are worse. It really does look like a lazy episode of a cartoon from twenty years ago, if that was it’s intention, I don’t know what was. The ending is a dud, but, by then, what was I expecting? The whole affair can’t decided if it’s for adults or kids and is never fun for either. Considering that the 90s show did the whole thing better with “Harlequinade”, it’s hard to understand why anyone thought this movie needed to happen. There were no extra scripts lying around?
Look, if this is canon, I won’t accept it. I’m going to be unreasonable about this for the rest of my life. I’ve long ago said goodbye to the DC Animated Universe of old and I don’t need more of it in my life. Batman and Harley Quinn made sure of that by being the Superman: Braniac Attacks of it’s series. I won’t mourn again.
The first Spider-Man movie came out in a day and age that has long past, one that you might not be able to recall. Spider-Man was a big deal, a massive event in theaters that got me to buy my tickets in advance for the first time. All the showings of it’s opening night were sold out. It was the post-9/11 movie we needed at the time. It was also fun and exciting and the first time the character had ever been on the big screen. It’s hard to put into words the energy that film created.
Now, that movie almost feels archaic. It’s a single, self-contained character story that takes place during the most important time in the hero’s life. Yes, it has plot-threads for a sequel, but when you look at the mess that is Amazing Spider-Man or it’s sequel, the first Sam Raimi film almost looks shy about presenting a sequel. It was a different world, one where a film had to actually be released and do well at the box office for it to get a sequel.
But we’re in a brave new world now! And while we’ve had many Spider-Man films since that first, landmark entry, we’ve never had a fifteen year old Peter Parker in a world of superheroes. So, now we have a Spider-Man who gets to interact with Iron Man and potentially join the Avengers. If he looks bad doing super heroics, it’s because other, better heroes have set the standard. And while Spider-Man: Homecoming tackles this, it’s not the area where the movie shines. Don’t get me wrong, the scenes with Tom Holland and Robert Downey Jr. are fun and quippy. But it’s where the movie feels less exciting.
Peter was in high school for all of ten minutes in the first Tobey Maguire film and the Amazing Spider-Man failed to deliver on that front (as well as many others) even though it was greenlit for that very reason. So while it might seem like a repeat to put the kid in school, it’s not something we’ve actually seen in full effect before. And besides, it’s the story Spider-Man: Homecoming wants to tell anyway. The supporting cast in Peter’s life are memorable and funny and, if the series wanted to go that route, Marvel could set a whole film around just a week of Peter in school, no super heroics, and it would still be entertaining. I mean, I still turn out whenever a kid is bemoaning popularity status or attending parties, but that’s because I hate high school. But, I think that says something to the charm of the movie that I actually cared about Peter’s sophomore life, at least, most of the time.
It helps that Tom Holland is a great Peter Parker. He captures the youth, the enthusiasm, the awkwardness and the strength of the character. He does a great job being over his head and enjoying this new life at the same time. He likes being Spider-Man, which is an important part of the character that can be forgotten when responsibilities abound.
Jacob Batalon’s Ned is hilarious and a great teammate for Peter. Zendaya’s Michelle has a promising future, made brighter by how many laughs she gets in a layered performance. Marisa Tomei doesn’t get the most screen time, nor does her Aunt May really shine, but she’s a pleasant addition.
Really, the only character who the movie fails is Liz, Peter’s crush. I wish I could tell her more about her, but the movie didn’t so I’m at a loss. I think the shadow of Mary Jane looms over all the films that have come since and Marvel hasn’t entirely solved the issue just yet. Liz is nice, she’s smart, but she’s only there to be crushed upon. While the end of the movie does promise a solution to that, it doesn’t change the fact that we spent two hours with a character that doesn’t seem to matter to the writers.
Michael Keaton’s Vulture is… well, he’s fine. It’s hard to beat the scenery chewing of Willem Defoe’s Green Goblin or the visual splendor of Alfred Molina’s Doc Ock. Keaton’s fairly actuate to the comics, visually frightening at times and physically up to the task of being the villain of the movie. But he’s not very interesting as a character and I was never waiting for his next scene. To be fair, in the comics, the Vulture is the second super villain Spider-Man ever dealt with and since we don’t want to see him go against the Chameleon or try to replicate the previous movies’ villains, he does make a certain amount of sense to include. If we have to stick to villains that haven’t appeared in films, I’d prefer Mysterio or Kraven the Hunter.
The action is never incredible, nothing in this film comes close to the train battle from Spider-Man 2 or even the crane rescue from the Spider-Man 3. But, there’s a kinetic energy to the scenes here and they move well. The idea in Spider-Man: Homecoming is that Peter is still new to all of this and not very good at the job. He’s got heart, but little coordination. What might normally be a car chase becomes a run through the suburbs. What normally would be a battle over a crowded ferry becomes an attempt to just do as little damage as possible. So, no, the action isn’t spectacular, but it works because Peter isn’t spectacular at being Spider-Man just yet.
My only other major gripe might not bother many other people. And it might be a minor spoiler, but I doubt it. The movie replicates a fairly iconic moment from Spider-Man comic history, one that Stan Lee wrote himself. In the comic, Peter triumphs because he thinks of all the people counting on him and everyone he loves. He can’t fail them. He overcomes a great challenge because his responsibility is great. In Spider-Man: Homecoming, the scene is replicated from panel to screen, but the motivation is lost. Peter overcomes because he wants to be a superhero. He needs to prove it to himself. Normally, that would be fine as motivation, but for those of us who read Lee’s early comics, we know the scene has been done better. There’s a power to that moment that was lost in translation.
Other than that, Spider-Man: Homecoming is a fun time. It’s colorful, it’s zippy and it makes me excited to see this version of Peter Parker again. I know I’ve referenced the original trilogy multiple times in this review, but I do think this new entry is the first film to differentiate itself from what’s come before. It successfully stands on it’s own. It has personality, a vision and it makes for a pretty good Spider-Man movie.
One more week and we’re right on schedule!
This episode we talk about the history of Wonder Woman, her comics and media representations. It’s a geeky episode, but Wonder Woman is cool so it’s all good!
I really did end up loving the Brian Azzarello run of Wonder Woman comics. It started off rocky and the weirdness of all it put me off. I think the problem was, when it was released, it was so different than the other stories being published in the New 52 and I was looking for anything to make sense during that terrible time. But the second volume really won me over and now I think it’s one of the best series they’ve done and my favorite run of the character. You just have to read it like a Vertigo title, or an Elseworld story.
Did we leave your favorite Wonder Woman story out? Favorite episode of the old Justice League cartoon? Let me know!
See you next week, podcats!
It’s insane to me that Warner Bros. and DC Comics took seventy-five years to make a Wonder Woman movie. In that time, they’ve made movies for Steel, Jonah Hex, Catwoman, Supergirl, Constantine, the Suicide Squad and yes, I chose the bad ones to point out. I mean, they had a Lobo film in the works before they had a final script for their premier heroine.
But, the movie is here, so we can (but probably not for long) move on from that fact. Let’s focus on the film instead.
I had hesitancy about the movie leading up to seeing it. After all, Man of Steel made me rage until I had destroyed all the love in my life. (old blog, please come back to this one). Batman V. Superman was so dumb I just felt bad for it. And though Wonder Woman was a highlight in that movie, anything remotely NOT dumb would have been a relief during that two and a half hours.
But I was pleasantly surprised. For first two thirds of the movie, Wonder Woman is the film I wanted for years. The first third, which takes place in Themyscira, is great and the island itself feels exactly right. The Amazons have a Spartan vibe, without the machismo, and feel like a real society, even if our time with them isn’t that long. The action scenes that take place there have a 300 vibe, but those scenes are done with confidence and not in way that wears our patience.
Steve Trevor, as played by Chris Pine, is likable and charming, but he’s got an edge to him and also comes across as more progressive than his World War I society. The chemistry between him and Gal Gadot is on point and there’s some great interplay between the two early on.
The action is great. I think, like Captain America, we sometimes forget how strong Wonder Woman really is. But, unlike the First Avenger, Wonder Woman’s powers are big league. She can topple buildings, toss trucks and wreck through soldiers as she goes for jog. When her full powers are on display, such as the terrific charge through the front lines that ends the first half of the movie, she really is a full blown super hero.
But Wonder Woman is more than just a set of powers and lassos and bracelets. Gal Gadot is, and I don’t want to understate this, fantastic. For years, I thought Wonder Woman would be one of the hardest characters to cast, but I can’t imagine anyone doing the job better than her. There are times when I could of sworn the character walked right out the comics. She’s inspiring, she’s dangerous, she’s funny, smart, naive, she’s stubborn but for the right reasons. When she speaks, you believe her. When she charges into battle, you want to follow her. Gadot embodies the character in such a defining way that it feels iconic before the movie is even over.
And now, with all that praise, here comes my critique and my struggle to not spoil anything. And that’s hard, because my problem with the film, is in the third act and might qualify as a twist. For a long time, the movie seems like it’s going one way and it works. Characters are learning lessons, humanity is getting called out for being the worst species to ever walk the earth and it feels right. But, they need a big action scene to end with and after we’ve seen what a tank Wonder Woman is, the stakes have to be raised. The final confrontation is so fantastical and out there, it almost feels like it’s betraying the rest of the excellent movie that came before it. Actually, the excellent animated movie with Keri Russel might have hurt the live action’s take on the confrontation. It’s not a deal breaker, it doesn’t make the movie a bad film, but I feel like a stronger third act could have put this movie up there with Spider-Man 2, X2: X-Men United and Batman Begins.
But, please, don’t take my issues with the finale to indicate I don’t like the movie. It was great, should be seen and I look forward to watching it again. To meet expectations seventy-five years in the making is a daunting task, but Patty Jenkins was up to the challenge and delivered. This was the first live action DC movie I loved since the Dark Knight way back in 2008.
I’ve talked a lot about the X-Men and their movies on this blog that, even though I’m behind, I’d be remiss not to talk about Logan. And since it’s now out in stores, everyone can watch the movie. Including me. Forever.
Logan broke me. I’ve seen movies that made me sad, that got me emotional but few have hit me so hard that I had to bring it up in therapy. Yes, Logan is an action movie, full of blood and violence and adamantium claws doing what adamantium claws do. But, it’s also a powerful piece of legacy, aging, family and your place in the world, no matter how bloody.
And all of that is well done and can effect you alone. Normally, it would get me to that emotional level as well. But the reason Logan got me was something I’m not sure the movie should be blamed for. The end of Hugh Jackman as Wolverine and the ultimate fate of the character in the movie felt like a long, heavy book closing on my life and I was not prepared to deal with those emotions.
The first X-Men movie came out in 2000 and I was 14 at the time. It changed my life in pop culture related ways, getting me into comics and making me a fan of the characters and the Marvel universe. But, as a weird, unpopular and messed up teenager, the X-Men gave me a place that I wanted to go and live, gave me characters that I wouldn’t to be friends with and take me in like a family. Not since Animorphs had I found a world and characters that felt so real that I could almost see the door.
And Hugh Jackman was there from the start and he’s stayed for seventeen years. As my life has gone on and changed, as I’ve dropped out of school and graduated college and got married and traveled around and said goodbye to friends and family, this has been a constant. Hugh Jackman as Wolverine has been one thing, one of the very few things, that hasn’t changed, that I could expect on a regular basis. And while he’s always teased retiring from the role, it always seemed like something vague, something I wouldn’t really see.
And I didn’t think watching his last performance would be as emotional for me. I mean, it’s just a character. I can read Wolverine adventures in the comics, rewatch the movies, there’s plenty out there. But it dawned on me while watching Logan that the character, as played by Jackman, is one of the most consistent father figures I’ve ever had. The character has been something I could trust was going to be there. And yes, it’s also because I love the character and Jackman’s portrayal of him and I don’t want it to end.
But like Logan in the film, I had to face how much older I am than when this all started. I had to except that I may someday die very far from home, that the world won’t be the same as when I was younger. That family and loved ones leave. There was a lot I wasn’t expecting to come to the surface.
I’m not 14 anymore, free from the oppressive figures that had been in my life. I’m not the 17 I was when the second movie came out and I was a dropout with no direction. Nor am I the 21 that I was when the third movie came out and I was about to start college. It goes on and I’m not that age anymore.
I’m still not sure I’m explaining this well enough. I don’t want the character to end? Is that what I’m trying to say? This run is over and it’s been so integral in my life there’s an empty space now. It’s its bigger than I thought it would be. I know how this sounds, but it’s like I lost a friend, or family. Because Logan wasn’t just an end for Hugh Jackman’s role, but it has a sense of finality for the X-Men series as well.
And I wasn’t ready.
Oh boy. 2017, am I right? It’s going to be busy for people like me, who go to the theater for every single superhero movie. We have seven of them coming out this year, if you count The Lego Batman Movie. And you should count it. Don’t be so cold.
The Lego Batman Movie (February 10)
Just like my rundown for 2016, I’m putting this list out too late to give my predictions for the first super hero movie of the year. Because The Lego Batman movie is already out, and I’ve already seen it! But if I had to guess, I’d say I’ll like it.
I say that because I did like it. As someone who didn’t love The Dark Knight Rises and just feels sorry for Batman V. Superman: Dawn of Justice, it was nice to feel excited for a Batman movie again It actually packed a few emotional punches I wasn’t ready to handle. While the film was never as funny as its first 15-20 minutes, it was enjoyable, beautifully and uniquely animated and still true to Batman as a character.
Excitement Level = Everything is Awesome
Logan (March 3)
While my love for the X-Men movies has always been strong, the Wolverine solo films are at 50% approval rating. X-Men Origins: Wolverine is one of the worst super hero films ever and killed a slew of planned X-Men solo films. The Wolverine, on the other hand, is one of my favorites, both as an X-Men and super hero film. It was thoughtful, true to the character and unique. And now the same creative team is putting out what might be the last show for Hugh Jackman’s iconic take of the world’s favorite mutant.
I’ll save the emotions I have about seeing the man who played one of my favorite heroes for the past 17 years for after I see the film. I’m both excited to see another unique and focused take on the character, but the R rating doesn’t thrill me like it does for some. I get it and it makes sense when a man’s powers are razor sharp claws that can cut through bone like paper. I just don’t need gore and f-bombs for the sake of being grown up. But then, I’m lame.
That hesitation aside, I’m excited for this. I like the western-vibe the trailers are providing, I like the inclusion of X-23 and I’m always happy to see Wolverine cut loose. If this is as good as the Wolverine, I think we’ll be very happy.
Excitement Level = X-Static
Guardians of the Galaxy, Vol. 2 (May 5)
One of the best Marvel films is getting a sequel. The first movie did a better job with the characters than some of their comic outings and it was hilarious to boot. I’m having a hard time coming up with things to say about the first movie, just because it was as good as it was and most people saw it. I should watch it again.
The second outing looks like more of the same, but in this case, that should be a good thing. With the introduction of these characters out of the way, we can get straight to the fun and team interaction. I’m pumped to see Kurt Russell in this film and to see how they pull of Ego the Living Planet. What’s great about 2017 is that, even with this movie coming out, it’s not the Marvel movie I’m most excited for, but we’ll get to that.
Excitement Level = High
Wonder Woman (June 2)
It’s 2017. They’ve been making big budget super hero movies since 1978. If we’re talking about the time since the first X-Men movie, than comic book movies have been in the golden age for 17 years. So it’s either been almost two or four decades before they made a Wonder Woman film. That’s insane, considering Warner Bros. and DC comics have made a Steel, Jonah Hex, Constantine, Catwoman and Suicide Squad movie before one of the biggest characters on the planet. They should be embarrassed.
Unfortunately, Wonder Woman is coming at a time where I’m not at all excited for DC movies. They just don’t seem to making super hero movies I want to see. And it has nothing to do with being dark and/or gritty. I like plenty of dark and/or gritty films, super heroes are no exception. If I’m enjoying Daredevil and Jessica Jones on Netflix, I can handle a grown up take on characters I like. But stupid, that’s another thing entirely. And Batman V. Superman: Dawn of Justice and Suicide Squad were stupid.
I want Wonder Woman to buck that trend. I want it to be great. And from the trailers I’ve seen, it looks like it could be something unique and exciting. While setting it in World War I might play a bit too close to Captain America: The First Avenger, I doubt it will be a problem. Here’s hoping that this is the first DC film since Man of Steel that values character over imagery, while still giving us the super heroics.
Excitement Level = Hopeful
Spider-Man: Homecoming (July 5)
Boy, just writing the title has made me tired.
It’s not that I don’t like Spider-Man! I love the guy! He’s one of my favorites. The first Spider-Man movie (2002) felt like a defining moment in my life and the sequel (2004) is one of my favorite movies ever, definitely in my top five super hero films of all time. It’s just that after fifteen years, five movies in which the last three weren’t the best and the speed of the reboot has left me underwhelmed.
Tom Holland was fantastic in Captain America: Civil War and he won me over quickly. I guess what keeps me from getting excited about this new movie is that we know what to expect from a Spider-Man film, a Marvel film, a coming of age film, ect. While we’re close to the film I’m most excited for, this one is at the bottom of my priorities. I’m sure it will be great. It will be charming, action-packed and a fun time. But that assurance also comes with a lack of anticipation. I hope to change my tune soon.
Excitement Level = Less than Amazing
Thor: Ragnarok (November 3)
Now we’re talking. Now we’re firing on all cylinders. Now we’re discussing a film with a director I’m excited to see work his weird craft. Taika Waititi is such a strange choice to helm the movie but I’m glad to see him aboard. This is a case of me liking both character and director for different reasons and wanting to see what the two will produce.
The Thor films are in this weird, separate world from the other Marvel films and I’ve liked both offerings. The second is underwhelming until Loki is on the scene, but the first is almost a near perfect origin film, almost on par with Iron Man.
Now the third is going to be bringing the Hulk into the fray, along with Doctor Strange, making an almost complete Defenders team-up (not the Netflix version of the Defenders, the comic version, with Thor standing in for Silver Surfer and Namor, the Sub-Mariner). I have high expectations for this one and I hope those are met.
Excitement Level = The Highest
Justice League (November 17)
Zach Snyder made a divisive Superman movie, one that I hate. But that’s okay, he gets a second chance with the first Batman/Superman team-up film. And then it was stupid. Embarrassingly so. Well, that’s okay. He may have film a crappy version of two heroes, but now he’s done and will move on…oh, wait. He’s going to direct the Justice League now.
Great. Just great. That’s fantastic. When thinking of the Justice League, I always see them as dark, violent, image focused and stupid idiots who get tricked by dumb villain plans. This should work out just fine.
Or maybe my sarcasm will be for naught. Maybe we’ll get an iconic, inspiring and larger than life story with some of the greatest heroes ever created. Maybe it won’t be warehouse scenes and mother issues and fish hobos and super villains no one has heard about. Maybe they’ll be surprised and fantastic character moments. Maybe Maybe Maybe…
Excitement Level = Not Again, Lord. Please. Not again.
So, what are we talking about this week? Graphic novels! Now, every week, in our Bookmark segment, Nic and I always have at least one graphic novel we’ve just read and talk about for a bit, but this week, we really focus on this medium.
The idea of this episode is to suggest graphic novels for those who don’t like superheroes, or maybe even graphic novels in general. If you think superheroes are silly and not worth your time, that’s great! Stay away from Spider-Man comics. But if you think that genre is all that makes up the world of graphic novels and the art form, get ready for a wild ride!
We talk Sandman, Usagi Yojimbo, Y: The Last Man, The Walking Dead, Saga, Paper Girls, Transmetropolitan, Fables, Ex Machina (actually, a lot of Brian K. Vaughan) and a lot more. It’s just another topic that I’ve been training my whole life for. If you want more from me on this, I wrote a blog a while ago about this very subject! Find it here.
We also talk book news and other events, including NBC’s list of books to read during Black History Month.
So, let us know what you think. Did we leave your favorite graphics out? Did this not win you over AT ALL. What else should we talk about?
See you next week, podcats!
2016 is going to have seven super hero movies! There was a time when four was a lot, but 2003 is far in our past now. So, now it’s time to look ahead at these movies and see what I’m excited for and what I’m less than thrilled about.
Deadpool ( February 12)
Now, I’ve already seen this, as have most people who wanted to, so I’ll be short. I was hesitant about this film. I went back and forth about whether I wanted to see it, if I should just wait for the DVD, ect. I wasn’t convinced that this movie had to be R-rated and crude. Having grown up reading the Joe Kelly run of the character, plus the rest that followed in his original series, I had a set idea of what Deadpool was like.
And to be honest, those reservations are still there. The movie was funny, it had it’s moments of genuine comic book glee, but something still felt off for me. Hearing Deadpool drop the F-bomb was hard to get around, because I’m used to it all being bleeped out or struck through with a black bar in the comics. I don’t see the precedence for the character being such a hard R, but Fox is rolling in cash now, so what do I know? Again, I liked the movie just fine, but it wasn’t really my cup of tea. I’ll watch the sequel(s?) but I want be waiting with baited breathe for them.
Excitement Level = Hesitant
Batman V. Superman: Dawn of Justice (March 25)
I won’t talk anymore about Man of Steel, at least not now. But it can’t be denied that this film is battling the bad taste that movie left in my mouth. I’ve slightly mellowed to that first film, as long as I tune in after all the Pa Kent stuff. The trailers and interviews for and about this new movie have not left me hopeful for Superman. I just don’t think anybody involved really understands what makes Superman different. It’s too bad.
So I’m split in two over BvS. One part of me is very scared for Superman and how this movie will further hurt the character. The other part of me, however, is excited for Batman. If Zack Snyder was just making a Batman solo film that looked like this, I’d be thrilled. Give us something like Hush, Under the Red Hood or just a straight up adaptation of the Dark Knight Returns and I think Snyder could knock it out of the park. It’s just too bad he’s been given the keys to Superman and the rest of the Justice League.
Excitement Level = Nervous
Captain America: Civil War (May 6)
I didn’t need that second trailer to get excited but it helps. I think this movie shows a key difference between Marvel and DC. With BvS, I doubt a lot of the general audience is going to be rooting for Superman. We don’t know anything about him, his solo film didn’t really endear us to him and he’s going up against Batman. Batman has had more movies, more video games, more cartoons, the guy is beloved.
Meanwhile, you watch a trailer for Civil War and it’s stressful for just those two minutes. Captain America vs. Iron Man is not easy to take sides with. Everyone loves Captain America after right now. Also, everyone loves Iron Man right now. These characters have had multiple movies to grow and enter our lives and now we’re watching them fight. True, the characters themselves have never been super close in the movies (unlike the comics), but they have a certain respect for each other. This movie is going to be like watching Mom and Dad fight and Uncle Spider-Man is just making things complicated.
Excitement Level = Highly Stressful
X-Men: Apocalypse (May 27)
This one is weird for me. I’m usually through the roof excited for a new X-Men movie, watching the trailers over and over again. Not so much right now, even with Apocalypse, a villain I always wanted but never thought we’d get to see. We’ve got a sweet line-up of Horsemen, Nightcrawler and Psylocke and Michael Fassbender’s Magneto!
I think I’m just getting a little tired of Brian Singer’s choices with this franchise. I’ve loved this series forever, but I’m also ready for some color in the costumes, characters who have the same powers they have in the comics, characters who act like they do in the comics, characters who are the same age they are in the comic. I don’t know what I’m trying to say but it has something to do with comics.
Again, I’m plenty excited for this movie and I’m sure it will be great, but the franchise might need another kick like X-Men: First Class to make it fun again. But then, this movie is apparently closing out all six of the main X-films, so I better be careful what I wish for before this series is taken over by Deadpool.
Excitement Level = Controlled
Teenage Mutant Ninja Turtles: Out of the Shadows (June 3)
Man, everyone hated the first movie! Except me! I thought it fun, action-packed and not serious enough to have be bothered by it’s problems. But not everything has to be Civil Wars or Apocalypses, you know? Sometimes it can just be easy popcorn fun.
And this second movie looks like everything is being dialed to eleven. Bebop and Rocksteady, Shredder, Baxter Stockman, Casey Jones, Krang in a giant suit and the technodrome? This looks nuts. It looks like the 80s cartoon threw up. I know everyone loves the original movies and the first is great and will likely always be the best, but geez, relax and have a good time that isn’t set between 1982-1991.
Excitement Level = Extreme
Suicide Squad (August 5)
What is it with DC? I want to be excited for this movie, I really do. I love the Suicide Squad and a lot of the characters they’ve chosen to be part of the team, but something is off. Well, it’s really two people.And, surprisingly, it’s not the Joker that’s bothering me!
Harley Quinn and Deadshot bother me. Sure, I’m just going off the trailer so I’m sure I’ll be surprised by how much better they are in the full film, but what I’ve seen is getting to me. I like Deadshot in the comics because the dude is apathetic to his core. He doesn’t care if he lives or dies, doesn’t care who he kills, he just doesn’t care. Again, no idea if what I’ve seen in the trailer is the full story, but it looks like Deadshot has a bit more… care about him. And Harley Quinn? Well, maybe the character is like Deadpool and moved past me. Neither seem to need me anymore, losing some of the appeal that I fell in love with at the beginning. It’s a brave world out there and I’m outdated!
What was the point again? Oh, right. Suicide Squad. Outside of those concerns, I’m pretty excited to see how they pull this off!
Excitement Level = Medium-Well
Doctor Strange (November 4)
I like Doctor Strange. I think he’s cool. I like his mini-series by Brian K. Vaughan. I like when he turns up in Spider-Man stories. I like when people ask, “What sort of doctor are you?” and he answers, “The strange kind”. Classic stuff there.
But I’m excited to see some magic in the Marvel movies. Sure, it’s probably pseudo-science magic, like quantum physics or something, but that will work. Benedict Cumberbatch is looking pretty great in costume and everything I read about this movie makes it seem weird and different from all the weird, different stuff Marvel has done before.
Excitement Level = Spellbound
And that’s it for the year! We’ll see which films meet or exceed expectations and which fall flat. I think each of these films will be interesting and good in their own ways. None of them seem bad or fatally troubled. It helps that, outside of the Bat/Supes/Cap/Stark fighting, all of these movies seem pretty different from each other. I’m on board.