Category Archives: comic books
One more week and we’re right on schedule!
This episode we talk about the history of Wonder Woman, her comics and media representations. It’s a geeky episode, but Wonder Woman is cool so it’s all good!
I really did end up loving the Brian Azzarello run of Wonder Woman comics. It started off rocky and the weirdness of all it put me off. I think the problem was, when it was released, it was so different than the other stories being published in the New 52 and I was looking for anything to make sense during that terrible time. But the second volume really won me over and now I think it’s one of the best series they’ve done and my favorite run of the character. You just have to read it like a Vertigo title, or an Elseworld story.
Did we leave your favorite Wonder Woman story out? Favorite episode of the old Justice League cartoon? Let me know!
See you next week, podcats!
It’s insane to me that Warner Bros. and DC Comics took seventy-five years to make a Wonder Woman movie. In that time, they’ve made movies for Steel, Jonah Hex, Catwoman, Supergirl, Constantine, the Suicide Squad and yes, I chose the bad ones to point out. I mean, they had a Lobo film in the works before they had a final script for their premier heroine.
But, the movie is here, so we can (but probably not for long) move on from that fact. Let’s focus on the film instead.
I had hesitancy about the movie leading up to seeing it. After all, Man of Steel made me rage until I had destroyed all the love in my life. (old blog, please come back to this one). Batman V. Superman was so dumb I just felt bad for it. And though Wonder Woman was a highlight in that movie, anything remotely NOT dumb would have been a relief during that two and a half hours.
But I was pleasantly surprised. For first two thirds of the movie, Wonder Woman is the film I wanted for years. The first third, which takes place in Themyscira, is great and the island itself feels exactly right. The Amazons have a Spartan vibe, without the machismo, and feel like a real society, even if our time with them isn’t that long. The action scenes that take place there have a 300 vibe, but those scenes are done with confidence and not in way that wears our patience.
Steve Trevor, as played by Chris Pine, is likable and charming, but he’s got an edge to him and also comes across as more progressive than his World War I society. The chemistry between him and Gal Gadot is on point and there’s some great interplay between the two early on.
The action is great. I think, like Captain America, we sometimes forget how strong Wonder Woman really is. But, unlike the First Avenger, Wonder Woman’s powers are big league. She can topple buildings, toss trucks and wreck through soldiers as she goes for jog. When her full powers are on display, such as the terrific charge through the front lines that ends the first half of the movie, she really is a full blown super hero.
But Wonder Woman is more than just a set of powers and lassos and bracelets. Gal Gadot is, and I don’t want to understate this, fantastic. For years, I thought Wonder Woman would be one of the hardest characters to cast, but I can’t imagine anyone doing the job better than her. There are times when I could of sworn the character walked right out the comics. She’s inspiring, she’s dangerous, she’s funny, smart, naive, she’s stubborn but for the right reasons. When she speaks, you believe her. When she charges into battle, you want to follow her. Gadot embodies the character in such a defining way that it feels iconic before the movie is even over.
And now, with all that praise, here comes my critique and my struggle to not spoil anything. And that’s hard, because my problem with the film, is in the third act and might qualify as a twist. For a long time, the movie seems like it’s going one way and it works. Characters are learning lessons, humanity is getting called out for being the worst species to ever walk the earth and it feels right. But, they need a big action scene to end with and after we’ve seen what a tank Wonder Woman is, the stakes have to be raised. The final confrontation is so fantastical and out there, it almost feels like it’s betraying the rest of the excellent movie that came before it. Actually, the excellent animated movie with Keri Russel might have hurt the live action’s take on the confrontation. It’s not a deal breaker, it doesn’t make the movie a bad film, but I feel like a stronger third act could have put this movie up there with Spider-Man 2, X2: X-Men United and Batman Begins.
But, please, don’t take my issues with the finale to indicate I don’t like the movie. It was great, should be seen and I look forward to watching it again. To meet expectations seventy-five years in the making is a daunting task, but Patty Jenkins was up to the challenge and delivered. This was the first live action DC movie I loved since the Dark Knight way back in 2008.
I’ve talked a lot about the X-Men and their movies on this blog that, even though I’m behind, I’d be remiss not to talk about Logan. And since it’s now out in stores, everyone can watch the movie. Including me. Forever.
Logan broke me. I’ve seen movies that made me sad, that got me emotional but few have hit me so hard that I had to bring it up in therapy. Yes, Logan is an action movie, full of blood and violence and adamantium claws doing what adamantium claws do. But, it’s also a powerful piece of legacy, aging, family and your place in the world, no matter how bloody.
And all of that is well done and can effect you alone. Normally, it would get me to that emotional level as well. But the reason Logan got me was something I’m not sure the movie should be blamed for. The end of Hugh Jackman as Wolverine and the ultimate fate of the character in the movie felt like a long, heavy book closing on my life and I was not prepared to deal with those emotions.
The first X-Men movie came out in 2000 and I was 14 at the time. It changed my life in pop culture related ways, getting me into comics and making me a fan of the characters and the Marvel universe. But, as a weird, unpopular and messed up teenager, the X-Men gave me a place that I wanted to go and live, gave me characters that I wouldn’t to be friends with and take me in like a family. Not since Animorphs had I found a world and characters that felt so real that I could almost see the door.
And Hugh Jackman was there from the start and he’s stayed for seventeen years. As my life has gone on and changed, as I’ve dropped out of school and graduated college and got married and traveled around and said goodbye to friends and family, this has been a constant. Hugh Jackman as Wolverine has been one thing, one of the very few things, that hasn’t changed, that I could expect on a regular basis. And while he’s always teased retiring from the role, it always seemed like something vague, something I wouldn’t really see.
And I didn’t think watching his last performance would be as emotional for me. I mean, it’s just a character. I can read Wolverine adventures in the comics, rewatch the movies, there’s plenty out there. But it dawned on me while watching Logan that the character, as played by Jackman, is one of the most consistent father figures I’ve ever had. The character has been something I could trust was going to be there. And yes, it’s also because I love the character and Jackman’s portrayal of him and I don’t want it to end.
But like Logan in the film, I had to face how much older I am than when this all started. I had to except that I may someday die very far from home, that the world won’t be the same as when I was younger. That family and loved ones leave. There was a lot I wasn’t expecting to come to the surface.
I’m not 14 anymore, free from the oppressive figures that had been in my life. I’m not the 17 I was when the second movie came out and I was a dropout with no direction. Nor am I the 21 that I was when the third movie came out and I was about to start college. It goes on and I’m not that age anymore.
I’m still not sure I’m explaining this well enough. I don’t want the character to end? Is that what I’m trying to say? This run is over and it’s been so integral in my life there’s an empty space now. It’s its bigger than I thought it would be. I know how this sounds, but it’s like I lost a friend, or family. Because Logan wasn’t just an end for Hugh Jackman’s role, but it has a sense of finality for the X-Men series as well.
And I wasn’t ready.
Oh boy. 2017, am I right? It’s going to be busy for people like me, who go to the theater for every single superhero movie. We have seven of them coming out this year, if you count The Lego Batman Movie. And you should count it. Don’t be so cold.
The Lego Batman Movie (February 10)
Just like my rundown for 2016, I’m putting this list out too late to give my predictions for the first super hero movie of the year. Because The Lego Batman movie is already out, and I’ve already seen it! But if I had to guess, I’d say I’ll like it.
I say that because I did like it. As someone who didn’t love The Dark Knight Rises and just feels sorry for Batman V. Superman: Dawn of Justice, it was nice to feel excited for a Batman movie again It actually packed a few emotional punches I wasn’t ready to handle. While the film was never as funny as its first 15-20 minutes, it was enjoyable, beautifully and uniquely animated and still true to Batman as a character.
Excitement Level = Everything is Awesome
Logan (March 3)
While my love for the X-Men movies has always been strong, the Wolverine solo films are at 50% approval rating. X-Men Origins: Wolverine is one of the worst super hero films ever and killed a slew of planned X-Men solo films. The Wolverine, on the other hand, is one of my favorites, both as an X-Men and super hero film. It was thoughtful, true to the character and unique. And now the same creative team is putting out what might be the last show for Hugh Jackman’s iconic take of the world’s favorite mutant.
I’ll save the emotions I have about seeing the man who played one of my favorite heroes for the past 17 years for after I see the film. I’m both excited to see another unique and focused take on the character, but the R rating doesn’t thrill me like it does for some. I get it and it makes sense when a man’s powers are razor sharp claws that can cut through bone like paper. I just don’t need gore and f-bombs for the sake of being grown up. But then, I’m lame.
That hesitation aside, I’m excited for this. I like the western-vibe the trailers are providing, I like the inclusion of X-23 and I’m always happy to see Wolverine cut loose. If this is as good as the Wolverine, I think we’ll be very happy.
Excitement Level = X-Static
Guardians of the Galaxy, Vol. 2 (May 5)
One of the best Marvel films is getting a sequel. The first movie did a better job with the characters than some of their comic outings and it was hilarious to boot. I’m having a hard time coming up with things to say about the first movie, just because it was as good as it was and most people saw it. I should watch it again.
The second outing looks like more of the same, but in this case, that should be a good thing. With the introduction of these characters out of the way, we can get straight to the fun and team interaction. I’m pumped to see Kurt Russell in this film and to see how they pull of Ego the Living Planet. What’s great about 2017 is that, even with this movie coming out, it’s not the Marvel movie I’m most excited for, but we’ll get to that.
Excitement Level = High
Wonder Woman (June 2)
It’s 2017. They’ve been making big budget super hero movies since 1978. If we’re talking about the time since the first X-Men movie, than comic book movies have been in the golden age for 17 years. So it’s either been almost two or four decades before they made a Wonder Woman film. That’s insane, considering Warner Bros. and DC comics have made a Steel, Jonah Hex, Constantine, Catwoman and Suicide Squad movie before one of the biggest characters on the planet. They should be embarrassed.
Unfortunately, Wonder Woman is coming at a time where I’m not at all excited for DC movies. They just don’t seem to making super hero movies I want to see. And it has nothing to do with being dark and/or gritty. I like plenty of dark and/or gritty films, super heroes are no exception. If I’m enjoying Daredevil and Jessica Jones on Netflix, I can handle a grown up take on characters I like. But stupid, that’s another thing entirely. And Batman V. Superman: Dawn of Justice and Suicide Squad were stupid.
I want Wonder Woman to buck that trend. I want it to be great. And from the trailers I’ve seen, it looks like it could be something unique and exciting. While setting it in World War I might play a bit too close to Captain America: The First Avenger, I doubt it will be a problem. Here’s hoping that this is the first DC film since Man of Steel that values character over imagery, while still giving us the super heroics.
Excitement Level = Hopeful
Spider-Man: Homecoming (July 5)
Boy, just writing the title has made me tired.
It’s not that I don’t like Spider-Man! I love the guy! He’s one of my favorites. The first Spider-Man movie (2002) felt like a defining moment in my life and the sequel (2004) is one of my favorite movies ever, definitely in my top five super hero films of all time. It’s just that after fifteen years, five movies in which the last three weren’t the best and the speed of the reboot has left me underwhelmed.
Tom Holland was fantastic in Captain America: Civil War and he won me over quickly. I guess what keeps me from getting excited about this new movie is that we know what to expect from a Spider-Man film, a Marvel film, a coming of age film, ect. While we’re close to the film I’m most excited for, this one is at the bottom of my priorities. I’m sure it will be great. It will be charming, action-packed and a fun time. But that assurance also comes with a lack of anticipation. I hope to change my tune soon.
Excitement Level = Less than Amazing
Thor: Ragnarok (November 3)
Now we’re talking. Now we’re firing on all cylinders. Now we’re discussing a film with a director I’m excited to see work his weird craft. Taika Waititi is such a strange choice to helm the movie but I’m glad to see him aboard. This is a case of me liking both character and director for different reasons and wanting to see what the two will produce.
The Thor films are in this weird, separate world from the other Marvel films and I’ve liked both offerings. The second is underwhelming until Loki is on the scene, but the first is almost a near perfect origin film, almost on par with Iron Man.
Now the third is going to be bringing the Hulk into the fray, along with Doctor Strange, making an almost complete Defenders team-up (not the Netflix version of the Defenders, the comic version, with Thor standing in for Silver Surfer and Namor, the Sub-Mariner). I have high expectations for this one and I hope those are met.
Excitement Level = The Highest
Justice League (November 17)
Zach Snyder made a divisive Superman movie, one that I hate. But that’s okay, he gets a second chance with the first Batman/Superman team-up film. And then it was stupid. Embarrassingly so. Well, that’s okay. He may have film a crappy version of two heroes, but now he’s done and will move on…oh, wait. He’s going to direct the Justice League now.
Great. Just great. That’s fantastic. When thinking of the Justice League, I always see them as dark, violent, image focused and stupid idiots who get tricked by dumb villain plans. This should work out just fine.
Or maybe my sarcasm will be for naught. Maybe we’ll get an iconic, inspiring and larger than life story with some of the greatest heroes ever created. Maybe it won’t be warehouse scenes and mother issues and fish hobos and super villains no one has heard about. Maybe they’ll be surprised and fantastic character moments. Maybe Maybe Maybe…
Excitement Level = Not Again, Lord. Please. Not again.
So, what are we talking about this week? Graphic novels! Now, every week, in our Bookmark segment, Nic and I always have at least one graphic novel we’ve just read and talk about for a bit, but this week, we really focus on this medium.
The idea of this episode is to suggest graphic novels for those who don’t like superheroes, or maybe even graphic novels in general. If you think superheroes are silly and not worth your time, that’s great! Stay away from Spider-Man comics. But if you think that genre is all that makes up the world of graphic novels and the art form, get ready for a wild ride!
We talk Sandman, Usagi Yojimbo, Y: The Last Man, The Walking Dead, Saga, Paper Girls, Transmetropolitan, Fables, Ex Machina (actually, a lot of Brian K. Vaughan) and a lot more. It’s just another topic that I’ve been training my whole life for. If you want more from me on this, I wrote a blog a while ago about this very subject! Find it here.
We also talk book news and other events, including NBC’s list of books to read during Black History Month.
So, let us know what you think. Did we leave your favorite graphics out? Did this not win you over AT ALL. What else should we talk about?
See you next week, podcats!
2016 is going to have seven super hero movies! There was a time when four was a lot, but 2003 is far in our past now. So, now it’s time to look ahead at these movies and see what I’m excited for and what I’m less than thrilled about.
Deadpool ( February 12)
Now, I’ve already seen this, as have most people who wanted to, so I’ll be short. I was hesitant about this film. I went back and forth about whether I wanted to see it, if I should just wait for the DVD, ect. I wasn’t convinced that this movie had to be R-rated and crude. Having grown up reading the Joe Kelly run of the character, plus the rest that followed in his original series, I had a set idea of what Deadpool was like.
And to be honest, those reservations are still there. The movie was funny, it had it’s moments of genuine comic book glee, but something still felt off for me. Hearing Deadpool drop the F-bomb was hard to get around, because I’m used to it all being bleeped out or struck through with a black bar in the comics. I don’t see the precedence for the character being such a hard R, but Fox is rolling in cash now, so what do I know? Again, I liked the movie just fine, but it wasn’t really my cup of tea. I’ll watch the sequel(s?) but I want be waiting with baited breathe for them.
Excitement Level = Hesitant
Batman V. Superman: Dawn of Justice (March 25)
I won’t talk anymore about Man of Steel, at least not now. But it can’t be denied that this film is battling the bad taste that movie left in my mouth. I’ve slightly mellowed to that first film, as long as I tune in after all the Pa Kent stuff. The trailers and interviews for and about this new movie have not left me hopeful for Superman. I just don’t think anybody involved really understands what makes Superman different. It’s too bad.
So I’m split in two over BvS. One part of me is very scared for Superman and how this movie will further hurt the character. The other part of me, however, is excited for Batman. If Zack Snyder was just making a Batman solo film that looked like this, I’d be thrilled. Give us something like Hush, Under the Red Hood or just a straight up adaptation of the Dark Knight Returns and I think Snyder could knock it out of the park. It’s just too bad he’s been given the keys to Superman and the rest of the Justice League.
Excitement Level = Nervous
Captain America: Civil War (May 6)
I didn’t need that second trailer to get excited but it helps. I think this movie shows a key difference between Marvel and DC. With BvS, I doubt a lot of the general audience is going to be rooting for Superman. We don’t know anything about him, his solo film didn’t really endear us to him and he’s going up against Batman. Batman has had more movies, more video games, more cartoons, the guy is beloved.
Meanwhile, you watch a trailer for Civil War and it’s stressful for just those two minutes. Captain America vs. Iron Man is not easy to take sides with. Everyone loves Captain America after right now. Also, everyone loves Iron Man right now. These characters have had multiple movies to grow and enter our lives and now we’re watching them fight. True, the characters themselves have never been super close in the movies (unlike the comics), but they have a certain respect for each other. This movie is going to be like watching Mom and Dad fight and Uncle Spider-Man is just making things complicated.
Excitement Level = Highly Stressful
X-Men: Apocalypse (May 27)
This one is weird for me. I’m usually through the roof excited for a new X-Men movie, watching the trailers over and over again. Not so much right now, even with Apocalypse, a villain I always wanted but never thought we’d get to see. We’ve got a sweet line-up of Horsemen, Nightcrawler and Psylocke and Michael Fassbender’s Magneto!
I think I’m just getting a little tired of Brian Singer’s choices with this franchise. I’ve loved this series forever, but I’m also ready for some color in the costumes, characters who have the same powers they have in the comics, characters who act like they do in the comics, characters who are the same age they are in the comic. I don’t know what I’m trying to say but it has something to do with comics.
Again, I’m plenty excited for this movie and I’m sure it will be great, but the franchise might need another kick like X-Men: First Class to make it fun again. But then, this movie is apparently closing out all six of the main X-films, so I better be careful what I wish for before this series is taken over by Deadpool.
Excitement Level = Controlled
Teenage Mutant Ninja Turtles: Out of the Shadows (June 3)
Man, everyone hated the first movie! Except me! I thought it fun, action-packed and not serious enough to have be bothered by it’s problems. But not everything has to be Civil Wars or Apocalypses, you know? Sometimes it can just be easy popcorn fun.
And this second movie looks like everything is being dialed to eleven. Bebop and Rocksteady, Shredder, Baxter Stockman, Casey Jones, Krang in a giant suit and the technodrome? This looks nuts. It looks like the 80s cartoon threw up. I know everyone loves the original movies and the first is great and will likely always be the best, but geez, relax and have a good time that isn’t set between 1982-1991.
Excitement Level = Extreme
Suicide Squad (August 5)
What is it with DC? I want to be excited for this movie, I really do. I love the Suicide Squad and a lot of the characters they’ve chosen to be part of the team, but something is off. Well, it’s really two people.And, surprisingly, it’s not the Joker that’s bothering me!
Harley Quinn and Deadshot bother me. Sure, I’m just going off the trailer so I’m sure I’ll be surprised by how much better they are in the full film, but what I’ve seen is getting to me. I like Deadshot in the comics because the dude is apathetic to his core. He doesn’t care if he lives or dies, doesn’t care who he kills, he just doesn’t care. Again, no idea if what I’ve seen in the trailer is the full story, but it looks like Deadshot has a bit more… care about him. And Harley Quinn? Well, maybe the character is like Deadpool and moved past me. Neither seem to need me anymore, losing some of the appeal that I fell in love with at the beginning. It’s a brave world out there and I’m outdated!
What was the point again? Oh, right. Suicide Squad. Outside of those concerns, I’m pretty excited to see how they pull this off!
Excitement Level = Medium-Well
Doctor Strange (November 4)
I like Doctor Strange. I think he’s cool. I like his mini-series by Brian K. Vaughan. I like when he turns up in Spider-Man stories. I like when people ask, “What sort of doctor are you?” and he answers, “The strange kind”. Classic stuff there.
But I’m excited to see some magic in the Marvel movies. Sure, it’s probably pseudo-science magic, like quantum physics or something, but that will work. Benedict Cumberbatch is looking pretty great in costume and everything I read about this movie makes it seem weird and different from all the weird, different stuff Marvel has done before.
Excitement Level = Spellbound
And that’s it for the year! We’ll see which films meet or exceed expectations and which fall flat. I think each of these films will be interesting and good in their own ways. None of them seem bad or fatally troubled. It helps that, outside of the Bat/Supes/Cap/Stark fighting, all of these movies seem pretty different from each other. I’m on board.
Excitement Level for 2016 = Super
I received a copy of this book for free from Netgalley in exchange for an honest review.
This is the first time I’ve read this title and actually enjoyed it. Maybe it’s because Damian is only seen as a corpse, which means he’s silent. I think a big part of it is that I’ve always liked globe-trotting Batman tales, and I like the guest stars we have in this volume. What comes across as a pleasant surprise, though it shouldn’t, is that Batman isn’t a jerk to everyone he meets. Sure, he’s his normal Batman-self when it comes to people telling him what to do, but he almost seems cordial when talking to Aquaman or Frankenstein. The latter is just fun to see any day.
Ra’s is up to his old tricks again, which is fine, but I wish he would go back to doing some big villain plotting again and give us a break from the Lazarus Pits for a while. Batman is out to find the bodies of his son, Damian and his ex-girlfriend/villain Talia. He’s focused, as he is wont to be, but it’s not a focused that makes him insufferable. He’s downright relatable.
The final issue, with Batman sneaking into the Justice League Watchtower and going to a big, bad place is fun and it was nice to see him to so without coming across better than all heroes on Earth. For once, while reading this book, I want the next volume. And maybe I’ll go back to the books I skipped. Am I just a sucker for fun art? Maybe, but I think Peter Tomasi actually has stepped up his game.
I received a copy of this book for free from Netgalley in exchange for an honest review.
I’m all over the place with this book. It’s fun, moody and has a much-needed playful tone that Gotham City lacks. On the other hand, there seems like some missed opportunities and undefined character work.
Olive Silverlock is the best part of this book because she legitimately comes across as a worldly teen. She has a great design, a cool back story and I’d like to follow her story more. I hope DC doesn’t screw this up and make her into a Justice League sidekick that gets killed someday.
Gotham Academy is an interesting place. Looking right at home in Gotham city, it feels old and not the best place for kids to be sleeping. It almost comes across as a refurbished Arkham Asylum. Sure, it’s a prep school, but it’s extra creepy when we get inside the walls.
The story itself is akin to Harry Potter and might just appeal to the same crowd. Powers aren’t really on display here, but you get some weirdness anyway. There’s a few other characters, plus Gotham’s own Batman, that are likable, but not all the characters shine. Olive’s ex-boyfriend comes across as empty and more of a plot device than a person, and the faculty are missed opportunities.
Which is where my gripes come into play. Sure, we should have new characters and histories, but I wanted some Bat-related elements. When I read the first page, I thought the headmaster was Ra’s al Ghul and then I was swiftly corrected. But it keeps happening! The librarian looks like the Riddler but he isn’t and all I could think was wouldn’t it be cool if this was some sort of school where the Riddler was your librarian, where the Scarecrow is the school counselor and where wood shop is taught by the Ventriloquist. Obviously, it would be a completely different book, but I think it would have done it for me.
Either way, this is an interesting new title for the DC universe and it’s especially welcomed in Gotham City. We already added it to the library’s collection and I’ll be interested to see how well it does with our patrons, teens especially.
The Divine is a weird book. At first, it seems like it’s going to be a book about war, children soldiers and doing things we don’t want to do even though we can’t see any other way. Simple right?
This comic is hard to review without giving some twist away so I’ll just say things get… strange. It’s one of those stories that plays it straight for the most part that when things to start getting out of hand, I had to wonder if what I was seeing was real.
I’m not sure what the message was, but I’m sure there was one. Was it about invading countries we don’t know anything about? Maybe. Is it about child soldiers and how dangerous their youthful ignorance can be? Probably. It might be about parents being unable to protect their sons and daughters from everything the world has to offer, I’m not sure.
The art is nice and colorful, but can get ugly when it needs to, when it wants us to be a bit put off. I’m not sure it’s a classic, but it’s different and you won’t feel like you wasted your time with this book. What Boaz Lavie was going for, I can’t say, but he want for it.
Part Three of the Batman Reread! In this, I look back on Batman: The Long Halloween.
The Long Halloween was one of the first ‘official’ sequels to Year One. Written between 1996-1997, the book is by Jeph Loeb and illustrated by Tim Sale. A serial killer, dubbed Holiday, is taking out members of the Falcone and Maroni family, Harvey Dent is trying to shut down the mob, and Batman’s rogue’s gallery is causing no end of trouble. There’s a lot going on and it’s no wonder it takes a year to tell.
Normally, I wait until the end to talk about the art but there’s no way for me to hold off with this book. Tim Sale’s art is gorgeous and one of a kind, and everything he draws is dynamic. Even the scenes that are just talking heads are lovingly illustrated and knock your socks off. His Batman is both heroic and demonic and his cape moves in the spirit of Todd McFarlane. I know the art might not be for everyone, some people prefer the realistic styling of Jim Lee and the like, but it’s Sale’s stylized art that truly makes this book a classic.
Which, upon rereading this, I believe even more strongly than I once did. On my first read, this book felt like a great American novel, with clever dialogue and a mindbending mystery. Now, not so much.
Jeph Loeb does a good job with this story but it suffers from his own style. If you read interviews and hear others talk about him, it seems that Loeb likes to write stories without the answers planned out. So, in this book, he’s written a murder mystery without knowing who he’s going to have end up be the killer. When I first read this, I thought the multiple choice answer of the Holiday’s identity was brilliant, because it let me decide who was the real bad guy. Now, I just wish Loeb would have told us, because it seems like everyone was Holiday, which means the character isn’t really important, because it doesn’t really exist.
I also had remembered Harvey Dent and his transformation into Two-Face being more subtle and tragic but on rereading, I was disappointed. It seems like Dent was always an angry and dark character, willing to bend to the rules to see justice. Maybe I’m bringing Christopher Nolan’s White Knight version of the character into the book now, but it does hinder my sympathy for Dent.
Okay, one more complaint. Batman fails. I hate that. I hate it when all the work a hero does ends up being fruitless. Remember how Jim Gordon and the others went to a lot of trouble to save the mayor from the Joker’s shooting in The Dark Knight? But then, in the next movie, the same character is killed off by Bane, making pointless all the work the heroes did! I hate stuff like that.
So, when Two-Face kills the mod boss, while Batman is in the room, I’m angry because Batman didn’t save the day. Holiday is never stopped, even though some people end up in jail for the murders, but everyone he wanted to kill is dead now! At the end, the question is asked if Batman and Gordon did the right thing, but looking back, I’m not sure what they did to help!
It really is Tim Sale’s art the saves this for me. I’ll read countless stories of nonsensical plotting as long as a get a parade of Batman’s villains drawn by Sale. And there are plenty of cool moments that Loeb gives us, many of them ending up in The Dark Knight (the burning pile of money, the pact between Dent, Gordon and Batman). Catwoman is written well here and is one of the cooler parts of the story. I also liked how this book shows the switch in Gotham from normal mob crime to Batman’s more colorful super villains. And if you don’t feel bad during the Mother and Father Day chapters, you need your heart checked.
Also worth checking our is the Noir version of the book. Without colors, the lines pop and you can feel the grit this story has. I still prefer Sale’s art with the dynamic colors, especially since the holidays rely on them, but it’s still great to look through.
Up next, Dark Victory!